Literary multilingualism has an ancient and continuous history, yet it experiences an indisputable climax in Modernist fiction. The multilingual explosion of Joyce’s Finnegans Wake, the incessant back and forth between English and French of Beckett’s writings, and the covert but constant presence of Yiddish and Hebrew in Kafka are but a few examples of multilingual occurrences in some of Modernism’s most prominent authors. This panel aims to discuss the aesthetic elements ...
