“Taste is dead emotion” – so Wyndham Lewis declares in Blast No. 2. To be a productive force, “[t]aste should become deeper and exclusive: definitely a STRONGHOLD – a point and not a line.” Lewis’ critique of taste is emblematic of a wider modernist concern with the role of discernment, refinement and connoisseurship in art, literature and performance. Taste carries with it a legacy of aristocratic dilettantism and public moralizing ...
