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Both Sides Now

When I was a struggling junior faculty member, every publication mattered so much that rejection letters felt like physical blows. And it wasn’t only the brute fact of the rejections that caused pain: Readers’ reports on my manuscripts were often written in a tone of sharp annoyance. Touchy and ill-tempered, they seemed to see only the flaws. It was as if I’d somehow insulted these readers, breaking rules that I didn’t know existed. There’s no question that I’ve had much to learn about framing, pursuing, and clinching an argument. But I’ve certainly never had any intention of irritating my readers.

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Now that I’m sometimes asked to write these reports myself, I begin to understand the source of the annoyance. When I’m asked to review a manuscript, the deadline often looms a few months in the future. Intrigued by the subject matter and flattered to be asked, I readily agree, and I imagine that three months hence — when the semester’s over, when my own article is written — I will have ample time. But by the time the deadline arrives, I’m again weighed down with obligations, lagging behind schedule, feeling generally oppressed. The manuscript starts to feel like a burden before I’ve even troubled to open the first page. And then, how terrible if it is imperfect — and especially if it seems sloppy or careless. I begin to feel resentment. I turn cantankerous. I look for ways that the manuscript falls short. Couldn’t this writer go to a little more trouble to polish her sentences? Why on earth did she bury the most convincing evidence in the footnotes? Why is she forcing me to go hunt for her main claims, instead of stating them outright, clearly, at the outset? Why, in short, is this person wasting my extraordinarily precious time? Surely she knows better!

And yet, of course, writers often don’t know better. Sometimes they’re novices, making their way in the field for the first time, unsure of the conventions of the profession. At other times they’re working away in inhospitable environments, isolated from peers who can give them constructive feedback before they send their work out to be read. And sometimes their tastes are simply different from my own; their values and desires are unfamiliar but maybe ultimately invigorating — out of the ordinary, perhaps, but hardly shoddy or intentionally distasteful.

From the writer’s perspective, it is strange to think of one’s work as an imposition, a theft of someone else’s time, a nuisance. To the writer who has undertaken the astonishingly difficult labor of articulating a new thought, writing has probably felt grueling and risky, while at times it has brought with it intense pleasures. The idea that it might appear merely inconvenient or tiresome to a reader comes as something of a shock.

I don’t think it’s hard to see the world from both sides. In fact, I tend to veer back and forth between these two perspectives. When I am occupying the position of the striving writer, I crave respect for my strenuous and serious effort. But when I am the harried peer reader, hurrying as quickly as I can through my piles of obligations, I am inclined to forget how wildly demanding writing is and to begrudge the tasks of reading that are heaped up before me.

If these two characters compete within my professional life, I’ve sometimes needed to remind myself that the writer’s struggles came first, and hardest. In fact, it’s started to seem crucial to recognize that these two perspectives are not ethically equal. I believe deeply that the sheer acts of crafting, finishing, and circulating one’s work are immense and brave achievements. I believe, too, that most writers labor under tough circumstances, institutional, intellectual, and emotional. Meanwhile, peer readers wield a serious institutional power in the moment that they report on manuscripts. And most peer readers, protected by anonymity and typically tenured, look at the world from a position of security and authority. There’s always something ethically amiss, then, in a relationship that takes place between valiant, laboring writers and crabby, powerful readers.

Lately, I have struggled to find ways to counteract my own worst readerly frame of mind. I have taken to signing readers’ reports, especially when I am recommending a rejection, to ensure that my tone is properly respectful and constructive, and to force myself to anticipate looking the writer in the face when I am done. I have also taken to imagining that every writer is a graduate student, not because I want to enforce my place in an academic hierarchy, but because I want to inhabit my own most teacherly persona, where I am wholly on the writer’s side and want more than anything to see her develop and succeed. What I struggle most to do, I think, is to try to identify with both writer and reader at the same time, rather than adopting one perspective at the expense of the other. This turns out to be harder than it might seem.

I wonder if the relationship between peer readers and academic writers is a little like the relationship between drivers and cyclists. Those who go to the trouble of cycling to work are doing us all a favor. But when one is driving a car, one sometimes feels a spark of impatience at the cyclist in the road who’s slowing traffic down, or veering into the street at just the wrong moment. Though most of us could occupy either position at any moment, and though we have to navigate the same narrow academic road, our perspectives are radically different, and sometimes feel opposed and hostile. Bumper stickers urge us to share the road, and that sounds reasonable enough. But it’s worth remembering that this charge is always aimed at drivers rather than cyclists. Only those powered by mechanical engines need reminding that the uphill climb is arduous and painful.

Caroline Levine is a professor of English at the University of Wisconsin at Madison.

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Comments

Not Only for Academics

Dr. Levine’s advice should be heeded not only by academic peer reviewers but by acquiring editors at publishing houses, too. We also can fall prey to crabbiness when the pile of manuscripts on our shelves reminds us of how far behind we are and how long some of those manuscripts have waited for our attention!

Sandy Thatcher, at 7:50 am EST on December 7, 2007

Re: Both Sides Now

Dr. Levine’s points are well taken — it is too easy to forget one’s audiences in the rush. I’d like to add another point, namely the mentoring of young academics in the art of accepting criticism of their ideas. Too often we hear such criticism as personal, and especially younger scholars need to be assured that reviews are aimed at the ideas and the way they have been expressed, not at their creator.

George Allen, at 9:25 am EST on December 7, 2007

I don’t think there is any nice way to frame criticism that will make it easier to hear. I don’t think there is any magic wording that will remove its sting. Asking a reviewer to add time and effort to a voluntary task performed under deadline in order to spare the feelings of the authors is not going to accomplish much because even the softest wording is still not what the authors want to receive — unmitigated praise.

Perry, at 9:30 am EST on December 7, 2007

ethical reviewing

Outside readers can easily identify with some of Caroline’s exasperation, with the sense of pressure, the tamping down of available time. But manuscripts don’t in those situations come over the transom. We agree to read them and that promise is one we must honor in an open spirit, quotidian pressures notwithstanding. When reading, what are one’s values? What does one owe the writer and the manuscript in front of one? Some work is simply bad or notably underdeveloped. I’ve been guilty of sending out something of the sort, partly out of blind enthusiasm, partly to get an outsider’s perspective on what I am doing. Invariably I have been grateful for any help, even crabby help. But when reading I do my best to enter into the writer’s project and help him or her. What is new and interesting here? What are the best points? How might they be more fully developed — and so on. If the manuscript is not yet ready for degree presentation or for publication, I will say so with whatever editorial and specialist advice I can muster. I do the same in book reviews. Panning someone’s work is easy, a cheap temptation, but always unethical. Irremediably bad work is rare and should be passed over in silence. Afterall, from what does a sarcastic or savaging review save us?

John Hill, Professor at English Department, USNA, at 9:50 am EST on December 7, 2007

Reviewing a manuscript can also been seen as a precious chance to 1. see exciting new work before anyone else does and 2. make it better for everyone’s benefit. Compared with the almost totally unrewarding, for everyone, task of writing book reviews, it is a chance to really move one’s field in a good direction.

Sarah Schneewind, at 12:35 pm EST on December 7, 2007

On writing & editing

Having been both an author and peer reviewer of journal articles, I agree with Dr Levine that it is important to “identify with both writer and reader at the same time” which is indeed “harder than it seems.” Writing a useful review report can be just as tough and deserves as much care and consideration as one hopes was put into the manuscript being circulated. The best friend here of the reviewer is a discriminating journal editor, who will not bother to circulate ill-conceived or poorly executed pieces. The only impatience reviewers should feel entitled to display is in response to the discovery of misconduct. Having been a peer reader who received a piece I discovered rife with plagiarism, I felt no hesitation in being worse-than-crabby when documenting the acts of theft in my response to the editor and author. To everyone else, peer readers owe equanimity, if not the endorsement for publication.

Tom Flint, Director of Accreditation at Kaplan University, at 12:35 pm EST on December 7, 2007

both both sides

As a driver, cyclist, writer and teacher of writing, the comparison is apt, except I can say that hostile drivers are much more dangerous to my well-being than are hostile readers. :-) But the author’s point is well made and well taken.

The comments I’ve received on some manuscripts have often been harsh and seem ill-considered, based on a cursive reading at best. I show those comments to my students. I tell them, you think I’m harsh? Look how those in the profession treat me/each other!

Most writing teachers I know search out the good in student writing in a way that peer-readers for professional publications don’t often seem to do. As members of the profession, we can get over the rough treatment more quickly than our students, grad or undergrad. I strive to give the students the best grade I can reasonably do so, based on provided criteria, when reading and that mindset makes things a whole lot better for the both of us. This doesn’t mean I pass out inflated grades. I just don’t look for reasons to fail a student and their work while also focusing on what needs work.

bradley bleck, instructor at Spokane Falls CC, at 12:35 pm EST on December 7, 2007

Tthe other side

With all due respect, I would differ from the other commenters. As a former publisher, my own observation is that peer reviewers are often too soft. This spirit of generosity is evident in Professor Levine’s article itself. One notes a very generous assumption that most projects do not deserve (in commenter John Hill’s term) to be panned. Instead, she suggests that a series of well-placed diplomatic suggestions should be enough to help most authors make their projects publishable.

This a misguided, if common, notion. We are not operating in a kindergarten classroom, where every child needs to be encouraged to explore and discover their talents. We’re talking about adults who have been thoroughly educated and trained and certified by the academy, and so should be accorded the respectful presumption that they’re capable of meeting the standards of their profession.

If they have not been trained to write a book, this seems less like an excuse to give them a pass on a less-than-inspired manuscript than a reason to insist that graduate programs start doing more to prepare their charges for the real world. In my conversations and panels on the subject back in my publishing days, I often talked about how sad it is that most graduate programs don’t prepare their students to do the work that they’ll actually spend most of their lives doing: teaching, writing books and articles, and administering an educational bureaucracy. It’s downright perverse. But to turn that systemic failure into a rationale for not rejecting manuscripts is going a bit far.

The fact is, there are many, many manuscripts out there that genuinely don’t deserve to be published in their current state. Some can be salvaged by careful editing; others not. Many are competent, but not exciting, or new, or challenging, or any of the other things we look for in a good academic book. They may be worthy of acceptance as a rite of professional passage, but that should not be equated with publication, which serves entirely other purposes.

One of the lesser, but not insignificant, reasons for the ongoing crisis in scholarly publishing is the profusion of books that even specialists in the field don’t want to read (the equally serious problems in the journals world are the result of very different historical factors, and aren’t addressed here). This proliferation is the responsibility of the presses themselves, to be sure, but peer reviewers have made their own contribution to the problem by so rarely saying no to undistinguished projects. Their weaknesses are treated as a remedial challenge, rather than a fatal flaw—a fine alternative, except that most readers also avoid the equally fraught task of suggesting a sufficiently deep and thorough remedial strategy.

Peer reviewers have an obligation to be frank, judgmental and critical. A lot of faculty members find this to be uncomfortable work, and so adopt a narrow and anodyne approach (criticize a footnote on page 12, ask for some additional discussion of the issue laid out on page 110, etc.), rather than really pushing their colleagues to do their best work.

It all comes back to graduate training: just as we don’t teach future scholars to teach, write or operate in a bureaucracy, neither do we sufficiently train them to critique the work of their peers or write proper readers’ reports, although almost all of them will have to do so repeatedly in their careers.

With all due respect to Caroline Levine, I don’t think the answer is learning to be nice. I think it’s learning to scrupulous and honest—a much harder thing—when we don’t find a manuscript thoroughly exciting, and to assert ourselves as being qualified to make those judgments. It’s not easy: self-doubt is as much an obstacle as regard for the feelings of others.

To criticize diplomatically is admirable, but it would be far, far better to criticize in a curmudgenonly fashion, if necessary, than not to criticize at all.

Jim Reische, at 12:35 pm EST on December 7, 2007

Bravo!—-And More

Caroline—-Great piece! Your second-to-the-last paragraph said it the best.

Now to Jim. Caroline seems to be addressing the world of articles, whereas you are focusing on book manuscript criticism. In the former one operates, as a reader and writer, in more of an academic setting or mood. In the latter one enters the cut-throat world of profit-loss. In this universe efficiency matters, so you might risk a little in-human (read: rude) behavior. In the world of peer-reviewed articles, however, the reader and writer are cultivating a profession. In sum, your response and Caroline’s article are dealing with apples and oranges—-with the distinction made sharper by the loss of “not-for-profit” academic presses.

And, for what it’s worth, in the end—-as a reader—-I’d rather feel like I gained a friend in letting someone down rather than earning an enemy. What comes around goes around.

- TL

Tim Lacy, at 4:25 pm EST on December 7, 2007

Brainless, Bigoted, or Envious Readers

Good essay and good comments to think about. I’m afraid I review abrasively at times, especially if the author involved is showing excessive laziness or smugness, since I don’t think those are vices our profession needs a hell of a lot more of.

Another problem not yet discussed is the anonymous reader whose perspective, and possibly his underwear, is severely twisted. He may drop the hatchet on a prospective rival, a writer of whose erudition his own training leaves him unaware, or a person who, God forbid, despises the inane sophistry currently infesting the profession. Of course there’s nothing to do about this sort of thing other than to ask your librarian to cancel that subscription. Then submit more wisely in the future, comforting yourself with the thought that dumb-asses are a dime a dozen.

Thanks for the thoughtful perspectives, all. I’ll try to moderate my vicious instincts.

Hnaef, at 8:45 pm EST on December 7, 2007

Don’t forget the grain of salt...

Let’s not forget, sometimes peer reviewers are just full of it.

I’ve had manuscripts torn to shreds that have gone on to win widespread acclaim and prestigious awards. Go figure.

cacambo, at 7:15 am EST on December 8, 2007

What I read about peer review in the humanities, or hear from my friends in those disciplines, always amazes me. What point is there to a three-month deadline for a review? You never spend that long actually mulling over the manuscript. And from what I hear, many reviews take much longer in reality.

I work in astrophysics and our industry standard deadline is now to return a referee report in *four weeks* (it used to be longer). So if it slips a little, you still get the report back in five weeks. When the revised manuscript comes back, the referee nominally gets another four weeks, but unless there are still big problems, he/she should give the thumbs up or down sooner. This way, if the first submission is adequate, you can generally get an article accepted with revisions in four months or so, depending on how long you take to do the revisions. When I hear stories of philosophy articles taking over a year and getting rejected, I cringe.

I don’t think being considerate to the author means going easy on the criticism. It means being constructive and not petty. “Don’t be a jerk.” This maxim ought to be written in journals’ instructions to referees.

T. Dolby, at 6:25 am EST on December 9, 2007

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