books

Review of Colin Dayan, 'With Dogs on the Edge of Life'

As our schedules and the weather permit, my wife and I walk dogs rescued from high-kill and overcrowded shelters and held in a foster-care facility. The walks are, in part, a way to find the dogs new homes: they wear vests or bandannas inviting people to inquire about adoption. (Anyone inclined to make an end-of-the-year donation to this worthy cause should inquire here.)

For the dogs, of course, a walk is an end unto itself. Most are raring to go, though we’ve occasionally had new arrivals from the countryside who feel overwhelmed by the sights and sounds of an urban downtown. One got about half a block out the door before he’d had enough and, refusing to budge, sat down and cowered in place. But that was a rare and extreme case. Normally it takes just a few minutes for a dog to adjust to the environment and feel drawn into it, pulling us along into the excitement of open space.

Before long we start crossing paths with attentive people who stop to admire the dog, and sometimes Rita interests them in taking information on how to adopt. The foster facility seems to have pretty high turnover, so mission accomplished, presumably. But after the first or second expedition, that part of the walk became much less interesting to me than the moments of heightened awareness that sometimes occurred between contacts with other humans. It was an almost meditative absorption in our surroundings -- an effort to imagine the world as experienced from the other end of the leash.

In The Marriage of Heaven and Hell, William Blake asks, “How do you know but ev'ry Bird that cuts the airy way, / Is an immense world of delight, clos'd by your senses five?” A dog on the ground raises that question in an earthier way than a bird in the air, for there’s a constant reminder (at least two or three times per block) that the dog’s landscape consists of a fine-grained texture of smells that is almost entirely lost on humans. (Likewise with sounds beyond our ken.) The bird’s ecstasy was a matter of conjecture for Blake. But that an “immense world of delight” opens itself to a dog’s senses seems self-evident, even though the human imagination is closed to most of it.

My musings on dog sensibility have been a lot like the walks themselves: occasional and fairly restricted, exploring no more than could be covered by a circular route in about an hour. Colin Dayan’s With Dogs at the Edge of Life (Columbia University Press) is a much more comprehensive exploration -- the work of a mind that slips the leash of genre or narrow specialization at every opportunity

The author, a professor of humanities and of law at Vanderbilt University, makes sharp turns and intuitive leaps that are, at times, unexpected and disconcerting. She published parts of the book in The Boston Review and other journals as essays of diverse kinds (memoir, reportage, criticism, political commentary, etc.) but with continuities and themes developing across the differences in framework and voice. Generalization seems hazardous with such a hybrid text, but here goes anyway.

Dayan refers to “those of us who believe that the distinction between human and nonhuman animals is unsustainable.” She takes the experience of toggling between human and canine awareness -- as with trying to imagine walking the dog from the four-legged perspective -- as a given. It is basic to the relationship between the two species that has developed from tens of thousands of years of cohabitation.

Humans and dogs read each other’s minds, in effect, or at least we try -- and anyone who lives with or around dogs for very long knows that a real zone of intersubjectivity emerges from the effort. A degree of anthropomorphism is probably always involved, but we get around it a little in moments of recognizing, and respecting, the dog’s own capacities.

“Dogs live on the track between the mental and the physical,” Dayan writes, “and sometimes seem to tease out a near-mystical disintegration of the bonds between them. What would it mean to become more like a dog? How might we come up against life as a sensory but not sensible experience? We all experience our dogs’ unprecedented and peculiar attentiveness. It comes across as an exuberance of a full heart. Perhaps this is what the Puritan divine Jonathan Edwards meant when he emphasized a physical rather than a moral conversion. He knew that the crux of divinity in earthbound entities lay in the heart’s ‘affections.’”

The movement within that paragraph -- between metaphysical categories and the ordinary dog owner’s intuitions, with the dismantling of dichotomies raising moral implications which then, even more sharply, plunge into the sphere of theology -- presents in miniature what the book does on a much larger scale. At the same time, Dayan’s thinking is grounded in concrete particulars, including issues around a particular variety of dog, the pit bull terrier, which appears to have become the contemporary, secular embodiment of diabolical menace. In some places they are very nearly the target of a campaign of extermination.

Not so coincidentally, perhaps, it is African-American residents of housing projects and poor white Southerners whose pit bulls are most likely to be confiscated and destroyed. Video of the police killing poor or homeless people’s dogs, whatever the breed, seems to be its own genre on YouTube. (I am willing to take her word for it.) At the same time, an association between impoverished or collapsing cities and feral dog packs has become a commonplace in journalism, while a number of directors have used the roaming dog as a character or scenic element in recent films.

It’s tempting to say that Dayan does for dogs what Melville did for whales: tracking the social roles and symbolic frameworks built up around them and depicting them at the intersection between cosmic order and human frailty, while also giving them (dogs and whales alike) due recognition as animals with worlds of their own, which we humans impinge upon. That description may intrigue some people while doubtless putting off at least as many. So be it, but I’ll say that With Dogs on the Edge of Life was one of the most memorable books I’ve had the chance to read this year.

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#IHEreaderschoice: And the Winner Is ...

Inside Higher Ed is pleased to announce that The Poems of T.S. Eliot, edited by Christopher Ricks and Jim McCue (Johns Hopkins University Press), is the winner of the first #IHEreaderschoice award for the university press book of 2015 that would make the best holiday gift for someone in academe.

More than 300 books were nominated on Twitter and Facebook, and more than 1,350 votes were cast. Inside Higher Ed will now conduct a drawing of those who voted for the winning book and we'll be shipping copies of it to five of the voters. Watch Twitter to see the winners announced. The book will also be on display at the Inside Higher Ed booth at the Modern Language Association meeting in Austin, Texas, early next year.

Runners-up (in order): The New York Young Lords and the Struggle for Liberation, by Darrel Wanzer-Serrano (Temple University Press); In the Name of Editorial Freedom: 125 Years at the Michigan Daily, edited by Stephanie Steinberg (University of Michigan Press); Letters to Santa Claus, by the Elves (Indiana University Press); How to Write a Thesis, by Umberto Eco (MIT Press). Scott McLemee wrote about How to Write a Thesis for Inside Higher Ed in March.

This was our first #IHEreaderschoice and we welcome suggestions on how to enhance the contest next year -- send ideas to Scott Jaschik.

Congratulations to all who entered and especially to the editors of The Poems of T.S. Eliot and Hopkins Press for their win. If you are still looking for last-minute holiday gifts for the academics in your life, check out the winners and all the entries at #IHEreaderschoice.

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Mandatory open-access publishing can impair academic freedom (essay)

As they have gained momentum over the past decade, the open access (OA) movement and its cousin, the Creative Commons licensing platform, have together done a tremendous amount of good in the world of scholarship and education, by making high-quality, peer-reviewed publications widely available both for reading and for reuse. 

But they have also raised some uncomfortable issues, most notably related to academic freedom, particularly when OA is made a requirement rather than an option and when the Creative Commons attribution license (CC BY) is treated as an essential component of OA.

In recent years, major American and European funding bodies such as the National Institutes of Health, the Wellcome Trust, the Gates Foundation, the Ford Foundation, and Research Councils UK have all instituted OA mandates of various types, requiring those whose research depends on their funding to make the resulting articles available on some kind of OA basis. A large number of institutions of higher education have adopted OA policies as well, though most of these (especially in the United States) only encourage their faculty to make their work openly accessible rather than requiring them to do so.

At the same time, Creative Commons licensing has emerged as a convenient way for authors to make their work not only publicly readable, but also reusable under far more liberal terms than copyright law would otherwise provide. When an author makes her work available under a CC-BY-NC-ND license, for example, this signals that the public is allowed to copy, redistribute, and republish that work for noncommercial purposes, though not to create derivative works without permission. 

The most liberal of these is the Creative Commons Attribution license (CC BY), which effectively assigns all of the exclusive prerogatives of the copyright holder to the general public, allowing anyone who so desires to copy, distribute, translate, create derivate works, etc., even for commercial purposes, as long as the author is given credit as creator of the original work.

Along with the great and undeniable benefits offered to the world of scholarship by the emergence of both OA and Creative Commons licensing, these programs and tools (like all programs and tools) also entail costs and unintended consequences, and have raised some uncomfortable issues. 

One such issue has to do with academic freedom. More and more publishers, funding agencies and academic institutions have begun not only requiring OA of their authors, but also adopting a definition of OA that requires CC BY licensing. The Public Library of Science (PLoS) which is easily the world's largest and most powerful OA publisher (producing more than 30,000 articles per year), does not permit its authors to use any license except CC BY, nor does BioMed Central.

In late 2014 both the Gates and the Ford Foundations announced that articles published as the result of research they underwrite must be published on an OA basis, to include a CC BY license granted to the public. The Research Councils UK -- which controls about $4.5 billion in research funding in the United Kingdom -- also requires OA/CC-BY whenever its block grants are used to fund article processing charges. Obviously, the more funding agencies and publishing venues require CC BY, the less choice is available to authors who rely on those funds or those venues.

What do authors think of this? When they are asked, the answer seems clear: many of them don't like it. When the publisher Taylor & Francis surveyed its authors in 2014 and asked them to give their opinions on a variety of licensing options, three times more respondents rated CC BY “least preferred” than rated it “most preferred” or “second preferred,” combined. When Nature left it to authors to choose a license for their OA work, 74 percent of them selected licenses more restrictive than CC BY. (Since making CC BY the default license earlier this year, however, Nature has found that authors leave the CC BY license in place 96 percent of the time.) Authors who have published under CC BY licenses have, in a couple of recently documented cases, been dismayed to find their work being repackaged and sold by commercial publishers with whom they would not have chosen to associate. 

The issue in such cases is not a loss of revenue, which the authors surely never expected to realize in the first place, but rather being forced into a publishing relationship not of their choosing -- as well, in some cases, as an objection to the commercial reappropriation of their work in principle. In some disciplines, particularly in the humanities, authors worry about translations of their work appearing under their names (in accordance with CC BY's attribution requirements) but without their vetting and approval. Sometimes authors who are anxious to see their work made as freely available to readers as possible balk at granting the world carte blanche to repurpose, alter, or resell their work without permission.

Those who advocate for OA with CC BY argue that there is no reason for authors to object to it: scholars and scientists (the argument goes) have already been paid for the work they're writing up, and since they have little if any expectation that their writings will generate additional revenue for them, why not make their work freely available to those who may be able to find ways to add value to them through reuse and “remixing,” and maybe even to profit from doing so? In any case (the argument continues), authors retain their copyright under a CC license, so what's the problem?

The problem, for many authors, is that their copyright becomes effectively meaningless when they have given away all of the prerogatives over their work that copyright provides. The right to make copies, to publish, to create derivative works, etc., are not the meaningful rights that the law gives to copyright holders -- after all, these are rights that the general public has in relation to works in the public domain. The meaningful right that the law provides the copyright holder is the exclusive (though limited) right to say how, whether, and by whom these things may be done with his work by others. 

So the question is not whether I can, for example, republish or sell copies of my work under CC BY -- of course I can. The question is whether I have any say in whether someone else republishes or sells copies of my work -- and under CC BY, I don't.

This is where it becomes clear that requiring authors to adopt CC BY has a bearing on academic freedom, if we assume that academic freedom includes the right to have some say as to how, where, whether, and by whom one's work is published. This right is precisely what is lost under CC BY. To respond to the question "should authors be compelled to choose CC BY?" with the answer "authors have nothing to fear from CC BY" or "authors benefit from CC BY" is to avoid answering it. The question is not about whether CC BY does good things; the question is whether authors ought to have the right to choose something other than CC BY.

In other words, the issue here that has a bearing on academic freedom is the issue of coercion. CC licenses that are freely chosen by authors are one thing, but when those licenses are imposed on authors by those who have power over their careers, we begin talking about a different set of issues. Such coercion exists on a spectrum, of course: when a powerful publisher says "We won't accept your work, regardless of its quality, unless you adopt CC BY," that represents one kind of coercion; when a funder says "We won't fund your research unless you promise to make the published results available under a CC BY license," that's a somewhat different kind. Both have emerged relatively recently.

To say that authors ought to be able to choose for themselves whether or not to adopt CC BY is not to oppose CC BY or to deny the very real benefits it offers. It is, rather, to suggest that retaining some say in how one's work may be reused is an important aspect of academic freedom, and that academic feedom matters. And one might go a step further and suggest that by refusing to fund a research proposal on the basis of its author's publishing plans (rather than on the proposal's intrinsic merits), or by refusing to publish an article based on its author's unwillingness to adopt CC BY (rather than on the article's intrinsic merits) we do a potentially serious disservice to the advancement of science and scholarship. 

Openness and reuse certainly do contribute importantly, even crucially, to the advancement of knowledge -- but they are not the only things that do, and when authors are denied funding or excluded from important publishing venues based not on the quality or significance of their work but rather on their willingness to comply with a particular model of dissemination and reuse, we introduce distortions into the system that have the potential to do damage even as they attempt to do good.

Perhaps those in the OA community who are confident in the attractiveness of CC BY, and in its lack of real costs and downsides to authors, should demonstrate that confidence by endorsing policies and programs that allow authors to choose for themselves. Educate them as to the issues, certainly; make the strongest possible case in favor of CC BY, absolutely. But then stand back and let authors decide for themselves whether or not they agree. 

Arguments backed up by coercion are always suspect; if they are as strong as those making them seem to believe, then coercion should not be necessary. Where coercion is shown to be necessary for widespread adoption, then perhaps that suggests the need for a more rigorous examination of costs and benefits.

Rick Anderson is associate dean for collections and scholarly communication at the University of Utah's J. Willard Marriott Library.

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Time to Vote in #IHEreaderschoice

The nominations are now in for the 2015 #IHEreaderschoice contest for the best university press book for a holiday gift for someone in academe. Use the hashtag on Twitter and you'll see all the nominees -- winners will be determined by the number of "likes" (hearts these days).

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Survey finds growth in number of humanities books being published

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Study finds increase in number of new titles -- and their share of all new scholarly books.

Nominate a Scholarly Book for #IHEreaderschoice

Help select the top university press book of 2015 that would make a good holiday gift for someone in academe! Inside Higher Ed is pleased to launch a contest where you decide the top books of 2015 that would make ideal holiday gifts. If you are looking for your next great read or trying to find the perfect gift, be sure to check out the contest hashtag, #IHEreaderschoice, to see and vote on entries.

Whether you are a book lover, an author or part of a press, anyone in higher education, or someone who wants to gift a great book, this is your chance to see the best from university presses.

Nominating a Book

Anyone may nominate -- on Twitter or Facebook -- a book that has been published by a university press in 2015. Entries should include the #IHEreaderschoice hashtag and one or more of the following: book title, image of the book cover or link to the book’s page on the press website or another site. You can nominate more than one book, and in the event that a book is nominated multiple times, we will tabulate the total number of votes a book receives. The nomination period is Nov. 30 to Dec. 6.

Voting for a Book

To vote for a particular book, simply heart the tweet or like the Facebook post containing the nomination. You can vote for as many books as you like. The voting period is Dec. 7-13. On Dec. 14, we will tabulate the number of votes each book received and announce the top five titles. The book with the most votes will be the official winner.

Prizes

Anyone who voted for the winning book will be entered into a random drawing, and five lucky voters will receive a copy of the book.

The publishing press of the winning book will enjoy special Inside Higher Ed 2015 Readers’ Choice Winner recognition in an advertising campaign as well as the opportunity to appear in the Daily News Update just in time for holiday gifting. The winning book will also be displayed at the Inside Higher Ed booth at the Modern Language Association conference Jan. 7-10, 2016.

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Review of Bill Maurer, 'How Would You Like to Pay? How Technology is Changing the Future of Money'

Five years ago this month, a consortium of major telecommunications carriers (AT&T, T-Mobile and Verizon) announced that it was developing a new application that would enable customers to pay for goods and services using their smartphones. This “mobile wallet,” as such technology is commonly called now, would make credit card and debit account information available to merchants by wireless.

Other enterprises, including banks and American Express, soon joined the partnership. The application seemed well positioned to enter the market for hyperconvenient consumerism, even to dominate it. But things did not work out that way. A demo during the plenary session of a major conference on new payment technologies in 2013 went badly. Consumers complained that the app’s “setup and payment processes were cumbersome and frustrating,” in the words of Chris Welch in The Verge. But those were minor scratches compared to the self-inflicted fatality of the app’s name: Isis. It gets worse. A gift card with the words “serve ISIS” was circulating even after the product’s name was changed to Softcard in 2014.

“Probably few consumers even knew of its existence until the media bump it received from its rebranding,” Bill Maurer notes in How Would You Like to Pay? How Technology Is Changing the Future of Money (Duke University Press). That bump was clearly not enough: Softcard shut down early this spring. At the same time, the range of mobile wallets on sale has only been increasing. The information technology research firm Gartner estimated the value of mobile payments for 2012 was $163 billion worldwide and anticipates it will reach $720 billion by 2017.

“This is definitely an ecosystem in flux,” one business and technology columnist wrote last month, “partly because there are so many players offering so many different solutions -- and so many questions about compatibility and security.”

“Ecosystem” seems an interesting choice of words, in this context. Maurer, an anthropologist who is also dean of the school of social sciences at the University of California at Irvine, also uses it -- but in a much thicker sense than as a synonym, more or less, for “market.” The smartphone wallet represents only one means of mobile payment, limited mainly to the world’s more prosperous sectors. It’s in the poorer countries of the global South that mobile payment (using phones with text-messaging capabilities and maybe a little built-in flashlight) looms as a much larger part of everyday life: an economic and social link between urban and rural areas.

In Kenya, the M-Pesa mobile payment service launched in 2007, and within three years, more people were using it than had bank accounts. Over half of the country’s households had adopted it by 2011, and Maurer writes that M-Pesa “processed in that year more transactions within Kenya than Western Union had done globally.”

The contrasting fortunes of Isis/Softcard and M-Pesa (where M stands for “mobile” and “pesa” is the Swahili word for money) are striking; how well each met the demands of the people using them obviously differed significantly. But Maurer’s interest runs deeper than the great disparities between the respective societies.

We’re prone to think of money as a medium of exchange originally created to get around the vagaries of barter (e.g., it’s hard to make change for a goat) and also as a tool notoriously indifferent to how it’s used. With $10,000, you can furnish your apartment or hire a contract killer. Money itself, so understood, is both fungible and morally inert. And from that perspective of money, the recent technological innovations in how it can be transferred from one person or place to another are significant chiefly for whatever changes are made in speed, ease or degree of anonymity of the exchange.

Maurer’s subtitle seems to promise speculation on how money will change, but his stress on the idea of payment (or, better, payment systems) has a decidedly retrospective component. In the abstract, the value of $10,000 in cash is the same as that of $10,000 in diamonds, bitcoins or traveler's checks. Each can be used as a form of money, for exchange.

But in practice, different kinds of social infrastructure are involved in making the transaction feasible -- or even possible -- with considerable implications about the relationships among the people involved. I have not made the experiment, but I doubt you can buy furniture using diamonds, and paying a hit man with a money order seems like a bad idea.

At some point, bitcoins might have the nearly universal acceptance that cash now does; both are fungible and, in principle, anonymous. But those qualities do not inhere in the paper or digital currency themselves: each is part of a payment system, without which it would be worthless. The same is true of credit cards, of course, or smartphones-turned-wallets.

Money of whatever sort is an “index,” the author says, of “relationships of obligation, rank, clientage, social belonging or state sanction.” Furthermore, old payment systems don’t necessarily die off; more than one can be operating in a given society at the same time. Maurer describes the interesting and intricate ways long-distance charge cards have become integrated into African economies where cash and barter also have a place. Aware of the fantastically destructive effects of the last financial crisis, he is clearly concerned that the advantages of being integrated into the global economy could be wiped out in the long term, through no fault of the continent's mobile users themselves.

In the end, How Would You Like to Pay? is of interest less for what it says about the future (the author makes no predictions -- which, given the Isis debacle, seems prudent) than for how it encourages the reader to pay attention to nuances of the present. It’s a primer of the anthropological imagination -- and a reminder that money is too important a matter to leave to the economists.

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Concerns Over Ashgate Publishing's Future

Many academics are signing a petition and sharing their concerns about the future of Ashgate Publishing, which was purchased by Informa (the parent company of Taylor & Francis). Both Ashgate and Taylor & Francis publish scholarly books and are seen as important venues for professors' work. The petition appeals to Informa to stop a planned closure of an Ashgate office in the United States, and rumored closings of an office in Britain.

"Independent academic presses like Ashgate have offered a safe haven for scholars working in certain subfields as university presses closed entire publishing specializations and fired editorial staff in response to campus austerity measures," says the petition. Representatives of Informa and Taylor & Francis did not respond to email messages seeking a response.

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Michael Griffin, 'Islamic State: Rewriting History' and Patrick Cockburn, 'The Rise of Islamic State'

Between the Boston Marathon bombing and too many spree killings by heavily armed men with grievances to keep count, we’ve all had plenty of recent experience with 24-hour coverage of horrific events such as the Paris massacre last Friday. There seem to be two major ways to manage attention. They don’t exhaust the possibilities but definitely mark the limits of a not especially broad spectrum.

One option is to keep track of breaking developments more or less in real time -- in extreme cases, checking for updates every few minutes. You expect the worst but try to get a jump on it, somehow, by absorbing each new crumb of pertinent information as it becomes available. The opposite extreme is to make like an ostrich and find some sand. Or at least to wait for fact, rumor and guesswork be sorted out. Only at that point does catching up make sense; until then, there’s more noise than signal.

By temperament I lean toward the first pattern: obsessive scanning. But not after Friday. Maybe the thought of the worst being yet to come was too much to handle. In any event, I opted for burying my head in a couple of recent books, starting with Michael Griffin’s Islamic State: Rewriting History, published this month by Pluto Press and distributed by the University of Chicago Press. The other, The Rise of Islamic State: Isis and the New Sunni Revolution by Patrick Cockburn, was released by Verso earlier this year. Neither can be recommended to anyone whose nerves are easily jarred. But they give a much thicker account of the group that inspired the attacks than nonspecialists can piece together from news reports over the past couple of years.

The authors seem to have turned in the manuscripts to their respective publishers around this time in 2014. At that point, the potential for the new “caliphate” to inspire terrorism beyond the Middle East was a less pressing issue than its unprecedented arrival as a force in the region.

Cockburn’s book, which incorporates his reporting on the Islamic State in Iraq and Syria for the London Review of Books, vividly conveys the speed and range of the group’s expansion and consolidation: ISIS, “as though intoxicated by its own triumphs,” proved capable of “defeating its enemies with ease even when they were more numerous and better equipped.” From one of a number of “nonstate actors” in the region, ISIS transformed into something that, beyond simply proclaiming itself as the Islamic State, effectively dissolved the border between Iraq and Syria and imposed its own religious and military authority over “an area larger than Great Britain and inhabited by some six million people -- a population larger than that of Denmark, Finland or Ireland.”

At the same time, ISIS remains, if not invulnerable to air strikes, then certainly prepared for them. It “operates as a guerrilla army,” Cockburn says, “without easily visible movements of personnel or equipment that can be targeted. Its leadership is well practiced at keeping out of sight.”

But it’s Griffin’s book that actually tells in detail the story of where ISIS came from and how it transformed over time. The author is a political analyst and commentator for BBC World and Al Jazeera. He draws almost entirely on English-language publications, in contrast to Cockburn, who quotes an array of friends, interview subjects and bits of popular culture from around the Middle East. But Griffin integrates his sources to good effect. He traces the growth of ISIS out of what had been Abu Musab al-Zarqawi’s organization Al Qaeda in Iraq -- a group that had managed to alienate both Osama bin Laden and Iraqi insurgents fighting the U.S. occupation. The death of Zarqawi in 2006 seems to have created less of a power vacuum than an opening for more capable strategists to assert themselves.

They learned to adapt to and exploit specific local and tribal concerns while building up both an effective economic infrastructure and formidable propaganda skills, taking advantage of the new-media skills of European-born jihadis who joined them. The ISIS cadre were also exceptionally lucky -- astonishingly, uncannily so -- about getting hold of new weaponry and tools. The psychological impact of the fall of Mosul in June 2014 was magnified by the sight of ISIS fighters “speeding towards outflanked enemies in hundreds of looted Humvees, bristling with assault rifles and rocket launchers.”

Plus the jihadis had “a fleet of white Toyota Tacoma pickups, double cabbed with mounted machine guns.” The vehicles, custom-made for U.S. Special Forces, were only available from a Toyota assembly plant in Texas. “How they managed to reach the frontiers of the caliphate,” Griffin says, “is anyone’s guess.”

Reading these books quickly was difficult, and the marginal notes and highlights I made along the way are evidence of how much more time it would take to grapple with them -- especially with regard to the authors’ differing understandings of the Arab Spring, and of the Syrian uprising in particular.

What they concur on, and no surprise, is the emerging status quo, with the Islamic State obliging the United States and Iran to act as allies for the foreseeable future, despite the saber-rattling impulses toward one another. The situation was paradoxical and hard to imagine as stable even before the terrorist attacks of last week. Is there even a word for how things stand now?

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Review of Christophe Charle's 'Birth of the Intellectuals 1880-1900'

Someone once characterized the intellectual as a person “living by, for and off of ideas.” Another remark in the same terse vein calls the intellectual someone who habitually reads with pen in hand.

Neither definition would pass muster with historians or sociologists, but they are ideal for ordinary usage. Each takes the distinguishing feature of the intellectual to be certain ingrained ways of directing the attention -- without making any claim about his or her personal qualities or social status. This has the advantage of keeping snarling to a minimum. (No other noun provokes so much insecurity and hostility that people often feel compelled to put “pseudo-” or “self-described” in front of it.)

The trouble with such placid or neutral definitions, however, is that “les intellectuels” were born in a scene of great hostility and named amid a prolonged exchange of insults. Christophe Charle’s Birth of the Intellectuals 1880-1900 (Polity) uses the French word when referring to the academics and authors who rallied to the defense of Alfred Dreyfus in the late 1890s and the English word “when it is to be understood in the broader sociological sense.” (Charle is a professor of contemporary history at the Université Paris 1 Panthéon-Sorbonne.) The distinction is useful, but the thrust of book’s argument is that the persisting ambiguities and disputes over the concept -- even within sociology -- were already taking shape before the intellectuels rallied behind Émile Zola’s manifesto J’accuse in 1898.

That the author is a historian would not necessarily be a reader’s first guess. Charle draws so heavily on the ideas and perspectives of Pierre Bourdieu that I assumed he was a sociologist using educational and literary developments in France in the late 19th century for a case study of the field of cultural production. Anyone not already acquainted with the Dreyfus controversy, at least in broad outline, is bound to give up quickly: this is historical writing in which the narrative element approaches the vanishing point.

Instead of events, Charle reconstructs the categories and niches of brainwork during the late 19th century as each established its role in French society. At the same time, each was also marking off its own respective criteria for recognition and advancement. Republican principles, established by a century of revolutions, did not preclude the emergence of an elite -- but it had to be based on merit rather than bloodline, a “nonexclusive aristocracy” cultivated by the educational system.

Louis Pasteur served as an exemplary case: a man of modest origins, he had contributed to the well-being of humanity (the rabies and anthrax vaccines) and advanced knowledge (the germ theory) while bolstering the French economy with his method for keeping wine and milk from going sour. He was the patient, methodical laboratory researcher as national hero: his expertise possessed a recognizable social value.

Supplementing the tremendous prestige of the sciences was the model of specialized, highly professionalized scholarship in all disciplines practiced in German universities. So teaching and research could be understood and valued -- by those who practiced them and by laypeople alike -- as matters of public importance. That was true even when scientists and scholars prided themselves on remaining so concentrated on their areas of specialization that they ignored everything else.

The situation among novelist, poets, essayists and other writers was altogether murkier -- in part because of the rapid and chaotic nature of the publishing industry, especially given its susceptibility to economic pressures. The number of aspirants always exceeds the number of positions offering a writer access to readers or money (much less, as in the best case, both). And the range of available outlets for publication tends to interact with writers’ own interests, styles and degrees of mutual hostility in fairly volatile ways. Whether new literary movements create new literary journals or vice versa can only be determined on a case-by-case basis; even then, it will be partly guesswork.

The term “intellectuel seems to have been coined in France in the early 1890s, in the small but serious journals of debate written and edited by, well, intellectuals -- that is, writers, academic and otherwise, who expressed political and cultural opinions largely critical of the established order. The word is often said to have entered English as a neologism in the wake of the Dreyfus case. (Charle seems to make the same assumption, although Stefan Collini quotes Byron using it as early as 1813.)

In any event, the intellectuels who intervened to defend Dreyfus -- accusing the French military of anti-Semitism and of covering up evidence that would exonerate him -- were drawn from the ranks of the professoriate as well as writers, both creative and journalistic, established and otherwise. Charle goes over their social backgrounds, career trajectories and political affiliations exhaustively. In analyzing the statements they wrote and published, he pays close attention to how famous names and distinguished institutional affiliations were sometimes featured prominently to signal their authority and the seriousness of the cause. At other times, the indicators or prominence were downplayed: the list of signatures might have an illustrious professor alongside an obscure poet or an ordinary citizen.

The debate over Dreyfus quickly spun off what sounds like an equally nasty one over whether the intellectuels were heirs of Voltaire’s role as the voice of reason and justice against oppression, or just people interfering in military matters for which their education and verbal skills gave them no claim to competence. Because of its challenge to authority and the involvement of many figures with known anarchist or socialist tendencies, the pro-Dreyfus cause was largely understood as a movement of the left -- which inspired the anti-Dreyfusards to come up with accusations that they were radical elitist hypocrites. (A bit rich, given that those denouncing Dreyfus as a traitor included people who wanted to restore the monarchy.)

As for Dreyfus, he was exonerated a few years later. The notion that intellectuals can, and should, play some role as critics of the society they live in was established. Debate over how well they perform that function never ends, nor should it. And the snarling, of course, continues unabated.

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