Many faculty members are quitting jobs in Venezuela, where they are finding it impossible to support themselves on government-mandated salaries that are as low as the equivalent of $30 a month, the Associated Press reported. At the Central University of Venezuela, for example, 700 faculty members (out of a total of 4,000) have quit in the last four years.
The five largest research publishers (a group that changes a bit by discipline) started publishing half of academic papers in 2006, up from 30 percent in 1996 and 20 percent in 1973, according to new research published Wednesday in PLOS ONE by researchers at the University of Montreal. The piece argues that this concentration has reached oligopoly status and poses dangers to academic publishing. “Overall, the major publishers control more than half of the market of scientific papers both in the natural and medical sciences and in the social sciences and humanities,” said Vincent Larivière, a professor in Montreal's School of Library and Information Science, who led the study. “Furthermore, these large commercial publishers have huge sales, with profit margins of nearly 40 percent. While it is true that publishers have historically played a vital role in the dissemination of scientific knowledge in the print era, it is questionable whether they are still necessary in today's digital era.”
John Tagler, vice president and executive director for professional and scholarly publishing at the Association of American Publishers, had this response, via email: “The forces of consolidation are not unique to the scholarly publishing industry,” he said. “In an era of globalization and large-scale technological implementations, there are benefits to spreading infrastructure investment and maintenance across a broad spectrum of products. In digital publishing this has resulted in a diverse market of providers and faster and more robust delivery of information to readers.”
Most people agree that faculty performance evaluations should be based on more than student feedback, grants and publication counts. But what does a more complete evaluation process look like? And how would a more progressive department function? The New American Colleges and Universities’ answer is Redefining the Paradigm: Faculty Models to Support Student Learning. The new monograph is based on new faculty evaluation models at NAC&U member institutions, and pushes other colleges and universities to rethink traditional department structures and processes to better support student learning. The monograph promotes the development of “holistic departments” that reject the arguably outdated scholarship-teaching-service faculty evaluation model in favor of processes that are more fluid and responsive to the changing faculty role and departmentwide needs. It also promotes active learning, in which professors are not “sages on the stage” but rather guides in research and other experiential learning.
The Teagle Foundation supported the project. Judith Shapiro, Teagle Foundation president and former president of Barnard College, recently wrote about the benefits of a redefined faculty paradigm here. Representatives from the Sage Colleges and Valparaiso University talked about their involvement with the project at the annual meeting of the Association of American Colleges and Universities. “One of the big issues here is to relook at teaching, scholarship and service and the collapsing boundaries between the three,” David Salomon, co-editor of the monograph and a professor of English and director of undergraduate research at the Sage Colleges, said at the time. “In a holistic department, someone might pick up more service, and we want to make sure we account for that in the evaluation, as well.”
The Library of Congress today named Juan Felipe Herrera, professor emeritus of creative writing at the University of California at Riverside, the next U.S. poet laureate. Herrera is the author of 28 books of poetry, novels for young adults and collections for children. In a statement, James H. Billington, the librarian of Congress, said, “I see in Herrera’s poems the work of an American original -- work that takes the sublimity and largesse of 'Leaves of Grass' and expands upon it. His poems engage in a serious sense of play -- in language and in image -- that I feel gives them enduring power. I see how they champion voices and traditions and histories, as well as a cultural perspective, which is a vital part of our larger American identity.”
Herrera will be the first Latino to hold the position of poet laureate.
Reading the Emancipation Proclamation for the first time is an unforgettable experience. Nothing prepares you for how dull it turns out to be. Ranking only behind the Declaration of Independence and the Constitution in its consequences for U.S. history, the document contains not one sentence that has passed into popular memory. It was the work, not of Lincoln the wordsmith and orator, but of Lincoln the attorney. In fact, it sounds like something drafted by a group of lawyers, with Lincoln himself just signing off on it.
Destroying an institution of systematic brutalization -- one in such contradiction to the republic’s professed founding principles that Jefferson’s phrase “all men are created equal” initially drew protests from slave owners -- would seem to require a word or two about justice. But the proclamation is strictly a procedural document. The main thrust comes from an executive order issued in late September 1862, “containing, among other things, the following, to wit: ‘That on the first day of January, in the year of our Lord one thousand eight hundred and sixty-three, all persons held as slaves within any State or designated part of a State, the people whereof shall then be in rebellion against the United States, shall be then, thenceforward, and forever free….’”
Then -- as if to contain the revolutionary implications of that last phrase -- the text doubles down on the lawyerese. The proclamation itself was issued on the aforesaid date, in accord with the stipulations of the party of the first part, including the provision recognizing “the fact that any State, or the people thereof, shall on that day be, in good faith, represented in the Congress of the United States by members chosen thereto at elections wherein a majority of the qualified voters of such State shall have participated, shall, in the absence of strong countervailing testimony, be deemed conclusive evidence that such State, and the people thereof, are not then in rebellion against the United States.”
In other words: “If you are a state, or part of a state, that recognizes the union enough to send representatives to Congress, don’t worry about your slaves being freed right away and without compensation. We’ll work something out.”
Richard Hofstadter got it exactly right in The American Political Tradition (1948) when he wrote that the Emancipation Proclamation had “all the moral grandeur of a bill of lading.” It is difficult to believe the same author could pen the great memorial speech delivered at Gettysburg a few months later -- much less the Second Inaugural Address.
But to revisit the proclamation after reading Edna Greene Medford’s Lincoln and Emancipation (Southern Illinois University Press) is also a remarkable experience -- a revelation of how deliberate, even strategic, its lawyerly ineloquence really was.
Medford, a professor of history at Howard University, was one of the contributors to The Emancipation Proclamation: Three Views (Louisiana State University Press, 2006). Her new book is part of SIUP’s Concise Lincoln Library, now up to 17 volumes. Medford’s subject overlaps with topics covered by earlier titles in the series (especially the ones on race, Reconstruction and the Eighteenth Amendment) as well as with works such as Eric Foner’s The Fiery Trial: Abraham Lincoln and American Slavery (Norton, 2010).
Even so, Medford establishes her own approach by focusing not only on Lincoln’s ambivalent and changing sense of what he could and ought to do about slavery (a complex enough topic in its own right) but also on the attitudes and activities of a heterogeneous and dispersed African-American public with its own priorities.
For Lincoln, abolishing the institutionalized evils of slavery was a worthy goal but not, as such, an urgent one. As of 1860, his primary concern was that it not spread to the new states. After 1861, it was to defeat the slaveholders’ secession -- but without making any claim to the power to end slavery itself. He did support efforts to phase it out by compensating slave owners for manumission. (Property rights must be respected, after all, went the thinking of the day.) His proposed long-term solution for racial conflict was to send the emancipated slaves to Haiti, Liberia, or someplace in Central America to be determined.
Thanks in part to newspapers such as The Weekly Anglo-African, we know how free black citizens in the North responded to Lincoln, and it is clear that some were less than impressed with his antislavery credentials. “We want Nat Turner -- not speeches,” wrote one editorialist; “Denmark Vesey -- not resolutions; John Brown -- not meetings.” Especially galling, it seems, were Lincoln’s plans to reimburse former slave owners for their trouble while uprooting ex-slaves from land they had worked for decades. African-American commentators argued that Lincoln was getting it backward. They suggested that the ex-slaves be compensated and their former masters shipped off instead.
To boilMedford’s succinct but rich narrative down into something much more schematic, I’ll just say that Lincoln’s cautious regard for the rights of property backfired. Frederick Douglass wrote that the slaves “[gave] Mr. Lincoln credit for having intentions towards them far more benevolent and just than any he is known to cherish…. His pledges to protect and uphold slavery in the States have not reached them, while certain dim, undefined, but large and exaggerated notions of his emancipating purpose have taken firm hold of them, and have grown larger and firmer with every look, nod, and undertone of their oppressors.” African-American Northerners and self-emancipating slaves alike joined the Union army, despite all the risks and the obstacles.
The advantage this gave the North, and the disruption it created in the South, changed abolition from a moral or political concern to a concrete factor in the balance of forces -- and the Emancipation Proclamation, for all its uninspired and uninspiring language, was Lincoln’s concession to that reality. He claimed the authority to free the slaves of the Confederacy “by virtue of the power in me vested as Commander-in-Chief, of the Army and Navy of the United States in time of actual armed rebellion against the authority and government of the United States, and as a fit and necessary war measure for suppressing said rebellion.”
Despite its fundamentally practical motivation and its avoidance of overt questions about justice, the proclamation was a challenge to the American social and political order that had come before. And it seems to have taken another two years before the president himself could spell out its implications in full, in his speech at the Second Inaugural. The depth of the challenge is reflected in the each week's headlines, though to understand it better you might want to read Medford's little dynamite stick of a book first.
I’m a liberal white faculty member, and I have a confession: I have no idea why other liberal white faculty members claim to be so afraid of their liberal students. In the past few months, anonymous (and sometimes not) white professors have started airing these fears, or re-airing them, as they are reminiscent of old complaints. The campus culture, they claim, has grown toxic, with faculty members carefully paring their syllabi to avoid any potentially uncomfortable material. A specter, they will tell you, is haunting universities -- the specter of political correctness, or radical liberalism, or identity politics.
The latest of these accounts, published recently in Vox under the pseudonym Edward Schlosser, is particularly unconvincing. Schlosser, an ostensibly liberal professor, conflates real problems -- the shifting of higher education toward a consumer experience (explained and deflated well here by Rebecca Schuman) and the absence of job protection for contingent faculty -- with ghosts conjured by paranoia. The generality of Schlosser’s writing doesn’t pass the sniff test; for example, he claims, “Personal experience and feelings aren't just a salient touchstone of contemporary identity politics; they are the entirety of these politics.”
That sentence doesn’t stack the deck so much as it replaces it entirely. And the oddly random anecdotes of feelings-driven radical liberalism don’t add up; as in many invocations of the dangers of student liberalism, Twitter is a central go-to demon. The fundamental irony of Schlosser’s essay is that he criticizes overreliance on emotional responses that students have, but the fear he describes ultimately seems like an overreliance on an emotional response by some white faculty members. Criticism from students -- whether it’s over the reading choices, the assignments, the in-class dynamic -- isn’t new, even if it develops out of students’ political perspectives or not. Instructors have to learn to meet that criticism and engage it respectfully.
Finally, people of color are starkly underrepresented among full-time faculty members and face authority challenges in the classroom that white male faculty do not, so the growing concern about what the white professoriate can and cannot say seems laughable to me. Plus, for what it’s worth, I’m a white male instructor unprotected by the tenure track, but I don’t feel the fear Schlosser describes, and my academic friends and colleagues, both tenured and not, at a wide variety of institutions, either don’t feel this fear or don’t confess it to me.
All that said, I do think Schlosser’s concern comes from meaningful, important questions: How do faculty members teach controversial material in an open, respectful forum where students can learn? And how can white male instructors approach issues of race, gender and sexual orientation with sensitivity? I teach first-year writing, creative writing and the personal essay, so each semester I regularly teach (and encounter in student writing) controversial material. If a student has raised a complaint about my handling of that material, it hasn’t been mentioned to me. I don’t assume to know every experience that might arise in the humanities classroom; I also can’t claim I’m the exemplar of how to encounter controversial issues in the classroom. Based on my experience, though, I have suggestions below on how Schlosser and other fearful faculty can teach controversial material.
Know, and admit, the limits of your authority. All instructors try to prepare as comprehensively as possible, but we all enter the classroom with our blind spots, our little (and sometimes big) ignorance. If you help students understand both the background of knowledge you bring as well as the uncertainties and questions you ask of a subject, they likely will understand your perspective more fully and engage with the questions you want them to consider. You won’t lose authority; rather, they’ll grow to see, via your model, how they can enter into complex problems and develop their own authority. They’ll also recognize the limits of their own knowledge, and that knowledge is fluid and limited.
Know, and admit, the extent of your authority.Faculty members are overwhelmingly, disproportionately white; department chairs more so. That’s the main reason I can’t take seriously this anonymous fear of retribution from liberal students: even at colleges with less diverse student populations, students still find more diversity among their peers than on the faculty. The resistance some white faculty members feel from students is, among other things, likely resistance to discovering the university as an ostensibly open environment that is still a sometimes unwelcome one for students of color. Even if we’re trying to be welcoming, white faculty members, myself included, are part of the problem, whether we like it or not. (NB: We should not.) Acknowledging that disparity as part of the process of teaching difficult material can help students discuss that material openly.
Know your place -- or, rather, know the place you’re in. While earning my Ph.D., I taught at an urban campus in the Midwest. In one first-year writing course, a student argued that affirmative action has given unfair opportunities to African-American students. In the course of the conversation, I asked the students what percentage of the student body they thought was African-American. One student, from a rural area, guessed 50 percent; no student guessed less than 25 percent. When I told them the percentage was actually under 10, well under the demographics of the city, state and nation the university was home to, they refused to believe me. (Had they looked around the room, they would have seen a single African-American student among the 18 of them.) When I showed them the university’s website, the look of confused resistance that spread on their faces appalled me; one student continued disagreeing, saying there must be some mistake with the website -- an administrator had told him it was 25 percent.
Had I been more aware of the place I was in, I would have understood their reactions better. A colleague reminded me later that the university was bordered on two sides by predominantly African-American neighborhoods; the custodial staff and service workers on campus were also largely African-American. Many of the students came from predominantly white neighborhoods and rural areas; they’d never seen so many African-Americans, so their imaginations likely multiplied those numbers.
Wherever we are, we should remember that academe is a shorthand for extraordinarily diverse kinds of universities. That’s why many of us resist when longtime tenured faculty from elite universities describe their experience as universal, a useful reminder that advanced age and advanced degrees don’t necessarily confer wisdom. Knowing your own college or university culture more intimately will help you work more directly with your students, whether the subject matter is controversial or not.
Recognize your own emotional reactions. Fear has a way of magnifying itself. Just because you’re afraid doesn’t mean the thing you’re afraid of is real. Along those lines, I’m skeptical of those who posit a split between the intellectual and emotional. Too many of the essays about fear of liberal students (especially Schlosser’s in Vox) posit the fearful faculty as reasonable and the student body as unreasonably emotional. Not only does the fear some white faculty members describe seem like an emotional embellishment, conceiving of emotion and reason as disconnected opposites does a tremendous disservice to both. Yes, reason and logic can be dispassionate, even at times disconnected from our emotional responses, but to pretend that they must be ever thus in the humanities classroom ignores basic human experience. If you pretend as Wendy Kaminer does that the utterance of the n-word by a white person has a negligible emotional charge, you’re committing an intellectual sin.
Explore your own bias, and never treat it as solved. I’m a white man born and raised in Arkansas. I’ve spent years working to understand the legacy of racism in my home state, and I’ve come to understand that, no matter how fully I try, I’ll probably never filter from myself the last dregs of that legacy. Exploring that bias -- via Harvard University’s Implicit Bias test, for example -- and acknowledging it to students can be a useful path to helping instructors and students recognize their own biases and develop a more complex understanding of their own emotional and intellectual responses.
When we discuss race in my classes, I tell my students of my background and acknowledge that, as careful as I try to be in thinking and speaking about race, I almost surely bring biases and emotional reactions I don’t yet recognize. In my experience, that engages them with their own experience and the intellectual material we discuss. Along those lines, instructors can benefit from presenting themselves as learners. Both the best and the most frustrating students have an inherent mistrust of authority, I think. As an instructor, I do, too. My greatest pleasure in teaching is being surprised and enlightened by my students’ work, especially their productive, constructive challenges to authority. And when they realize they’ve taught the instructor something, the students gain a useful confidence and foundation for the development of more complex ideas.
Teach difficult, controversial texts, paying particular attention to intellectual and cultural diversity. The avoidance of difficult material that Schlosser describes would be enormously counterproductive, of course, and faculty need to reconsider their syllabi in light of ongoing change. For example, I had long been proud to have a diverse list of poets and fiction writers in my creative-writing class. But when I reconsidered the syllabus last summer, I discovered that the poetry readings were less diverse and less focused on issues of race and gender than I had thought. So I adjusted the readings, adding in poems like June Jordan’s “Poem About My Rights” and short stories like Percival Everett’s “The Appropriation of Cultures,” excellent writing that drew the students’ attention to complex issues. Just as we discussed sound and sonnet structure in Gerard Manley Hopkins’s “God’s Grandeur,” and image and figure in Marianne Moore’s “Poetry,” we discussed line breaks, anaphora, tone and race in Jordan’s poem.
As sometimes happens, I encountered student fatigue with discussions of race (in this case in a discussion of Jordan’s poem), only to discover what I think is often the source of that fatigue: many students see the beginning and end point of such discussions as “racism is bad.” When reluctant students saw how the issues were more complicated and required more inquiry, they became more engaged and moved to more compelling insights about the poem and about race.
Make clear the potential discomforts and challenges of the course material. To many, that might sound like a trigger warning, but it actually isn’t. On the first day of my classes, I mention that our reading (and possibly their writing, in creative-writing and personal-essay courses) will make us think in complicated, sometimes uncomfortable ways, about sexuality, race, gender and age, among other subjects. That isn’t a trigger warning; it’s simple politeness. Each class approaches its subject matter differently, and guiding students to your pedagogical approach helps them build the class dynamic more constructively. Trigger warnings, on the other hand, explicitly inform students about subject material that might trigger memories of trauma for those who’ve suffered that trauma. Though I don’t include trigger warnings, it’s frustrating that so many critics of trigger warnings conflate discomfort and trauma, ultimately misrepresenting the idea and design of trigger warnings.
If a student accuses you of hurting her/his feelings in a meaningful way, assume you’re in the wrong before you assume you’re in the right. This runs counter to the idea of “innocent until proven guilty,” but it’s a useful guide to self-awareness. (Bear in mind that I’m not arguing that departments should assume their faculty are in the wrong.) In academic and nonacademic contexts, I’ve seen plenty of people react immediately with a sharp defensiveness to all kinds of accusations, only to calcify that defense over time. (Full disclosure: I’ve been that person before and likely will be again.) Moving past the initial defensiveness, or converting the initial impulse into self-inquiry, can be useful in helping instructors consider their biases and emotional responses. Even if you and your colleagues decide you weren’t in the wrong, avoiding the defensive impulse will make you a more perceptive teacher.
What I’ve written above isn’t a comprehensive guide for scared white faculty; I’ve based it on my experience, so it’s necessarily limited. I’m trying to keep myself malleable in the hope of becoming a better teacher. Students will change over time; decrying the loss of some golden age while warning of some encroaching PC liberalism screaming across the sky does the students no good.
Charles Green teaches writing at Cornell University. He hopes that his bosses at the Politically Correct Policepersons Union will accept this essay in lieu of dues this month.