Colleges start new academic programs

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Gesundheit, Not 'God Bless You'

A professor at the University of Texas at Rio Grande Valley asked students in a class syllabus to “Please refrain from saying ‘God bless you,’” before the statement was removed amid outcry from students, KGBT reported. Neither the station nor the university has named the professor, whose syllabus turned up on social media last week as some criticized the request as limiting free speech. But the university said in a statement that the syllabus “sought to identify examples of potentially disruptive behavior the professor believed could hinder the classroom learning environment, including use of cellphones.” The intent was not to limit the religious freedoms of students, the university said, “but to avoid unsolicited comments that might distract others.”

Essay criticizes Obama administration's new scorecard on colleges

Here’s the good news about the new College Scorecard: no rankings. In dropping its proposed plan, the Obama administration showed recognition of the difficulty -- indeed, the impossibility -- of providing students and their families with measurements that could determine which colleges offer “best value” and “worst value.”

The administration had hoped to come up with an easy-to-understand website for measuring value that would help students and families understand the return on investment they could expect for the cost of a college education. That effort proved entirely unworkable to most people who studied the proposal closely. So we all owe the U.S. Department of Education thanks for scrapping that proposal.

This weekend, the Department of Education launched a new College Scoreboard website. After a preliminary review of the site and the roughly 80-page (with appendix) accompanying technical paper, “Using Federal Data to Measure and Improve the Performance of U.S. Institutions of Higher Education,” count me among the dissatisfied.

To begin with, measuring the value of an education in monetary terms fundamentally mischaracterizes the nature of higher education. The highest learning is no more a commodity than one's life is a commodity. Students need an education that will help them earn a living, but they also wish for a fulfilling life, one that goes beyond any economic measure.

Students are looking for many different things from their time in college, and there is enormous diversity among colleges in what they offer a student. What is valuable to one student may be of little value to another. Needs and results will vary from student to student even within an institution, let alone across different institutions.

The Obama administration’s aim is to provide transparency about factors to consider in choosing a college. This is a laudable goal. Yet the new College Scorecard continues to place a premium on economic rather than noneconomic valuations. That is regrettable.

My initial impression is that the website is largely about price, cost, financial aid, success in securing a job, ability to pay off debt, courses of study offered and the size of the student body. There is also one indicator about whether the school is located in an urban, suburban or rural area.

But what about the rigor and breadth of instruction? Don’t students and parents want to know whether a student can expect to graduate with a firm grasp on how to think about the world, and how to communicate their thought in speech and writing -- all skills that will help them much more in life than any specialized career training? And what about meaningful faculty-student interaction? Surely students would like to know whether they will be likely to end up in small discussion classes or large, anonymous lecture classes. And what about the richness of student life, religious affiliation, cultural resources in the surrounding community, demographic diversity and other factors that may indicate the quality of life that a student can expect during his or her studies? It does not seem that the College Scorecard provides any guidance about such matters, which can be crucial in deciding which college to attend.

There are also serious questions about the sources and relevance of the data, which seems to be several years out of date. Will families reviewing Scorecard information realize that many colleges and universities -- including my own -- have added large amounts of funding for financial aid during the past few years? Or will they simply reject some institutions based on inaccurate data? The U-CAN website (University and College Accountability Network) designed by the National Association of Independent Colleges and Universities, after extensive testing with families about the kinds of information that would be useful, has much more current and comprehensive data on this topic.

The new College Scorecard website also tries to provide information about the average salaries that graduates of each college earn six years after enrolling. It is difficult to know where this information comes from. Does it take into account how many students continue on to graduate school? If not, the averages will seem to be lower than they really should be.

The Scorecard apparently tries to compensate for graduate students in its salary data by not counting former students who are in deferment on student loans. But for many reasons, not all of a college’s former graduates borrow money, and consequently do not defer loans while in graduate school. These graduate students will turn up as having no income or minimal income -- even if being in graduate school is their intended goal, and their undergraduate institution prepared them well for graduate study.

And in any case, earnings are more related to the choice of occupation than to the choice of college. And what about controlling salary data for location? If large numbers of a college’s graduates settle in relatively low-cost areas of the country, the average salaries for their students will be lower than at other colleges.

Also, this emphasis on earning is at odds with President Obama’s emphasis on the need for more teachers, social workers, geriatric care workers and child care workers. None of these professions is what one would call highly compensated.

And why does the site use the six-year graduation rate as a measure of success? Why not use the four-year graduation rate? Surely families don’t really want to know how many students take six years to go through a four-year program.

But one of the most disturbing aspects of this scorecard is its reliance on income data retrieved from the IRS and matched with student loan information possessed by the Department of Education. One had the notion that the IRS data would be protected from use by any other federal agency. And how is the employment data ever to be verified if the public does not have access to information that is likely to have the consequences that this scorecard may have?

On top of all this, as American Council on Education President Molly Corbett Broad has already pointed out, no external review was performed before the site went live. Now that college officials are getting a chance to look at it, many are seriously concerned about the reliability of the data.

The good news on that score is that there are already valuable tools in place. One of the best is the U-CAN website already mentioned. This resource provides comparable information about each participating college, with links to more detailed information if desired. I think that this resource would be far more helpful to students and their families than the new Scorecard.

The Obama administration has more support than it might realize from the very colleges and universities it is trying to evaluate. We too wish to be as transparent as possible about what is going on at our schools, about what it costs to attend and about what our alumni do with their lives after graduation. Together we want to help prospective students make responsible choices that suit their circumstances and their dreams for the future.

The new College Scorecard, however, seems to have a great potential to mislead, misinform and discourage students and their families. Talk about defeating the purpose.

Christopher B. Nelson is president of St. John's College, in Annapolis, Md.

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Class at St. John's College

Texas State Promotes Free Frosh (MOOC) Year

The Texas State University System on Thursday announced a Freshman Year for Free program in which students can earn a full year of credit through massive open online courses offered by edX and coordinated by a new nonprofit called the Modern States Education Alliance. The only costs to students would be either Advanced Placement or College Level Examination Program tests, which would be passed after completing various MOOCs. Appropriate scores would be required on the tests to receive credit from Texas State campuses.

Rhode Island College aims to improve retention with 'meta majors'

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Rhode Island College looks to "meta majors" to improve retention rates and push students to make up their minds about a course of study.

A poem for the start of the academic year

“Correct writing is no one’s mother tongue.”

Peter Elbow


Imagine your starfish hands reaching

For ocean floors, tapping attention alive

You discover and reveal yourself in sentences

That only perpetual error can provide


It’s not the unknown that tugs you down

But what you don’t know you don’t know

That swallows your bright ocean whole

With learning lost in mad saliva tides


Swimming out in a line pulls you in deeper

Good or bad, you are twisted into it

Like a diving weight failing release

Leaving you in bubbles of a last breath


Unknown gills hide themselves in adult lungs

I knew all this when I was born;

Now, always, and never

Have I been so glad to be wrong

Will Hochman is professor of English at Southern Connecticut State University.

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Essay says start of academic year is time to focus on teaching ideals

It’s fall, and the academic year is about to start again, so it’s time for the annual bout of questioning and self-questioning that we teachers of the humanities engage in all the time, but especially now. What shall we teach our students and how shall we teach it? What texts shall we use? What questions will we ask? What will we hope our students gain from our classes?

I have been teaching humanities-based courses over the past 40 years, in high schools and universities, and I’m persuaded that right now the question it is most important to pose to our students (and also to ourselves) is the question of ideals. I ask (and hope that others will also ask) the students who take our classes where they stand on the question of the great ideals. This isn’t just an intellectually engaging question, though surely it is that. It is also a question about how the students, and their teacher, too, should lead their lives.

By posing the question of ideals, one will inevitably encounter some of the greatest writing we have: some of what Arnold called “the best that has been thought and said.” By reflecting on the ideals one can learn a great deal about the tactics of interpretation and the art of writing. But more than that, one can learn to know oneself and begin to think about how to live in the world.

The ancient world offers us three major ideals, which I call (using some shorthand) the ideals of courage, compassion and contemplation. Later in time, great artists have put forward the life of imagination as an ideal, though that ideal is less firmly established than the other three.

Where do you stand on the matter of ideals? To answer that question, you need to develop a sense of what ideals are. I turn to Homer and Virgil to understand the ideal of courage; to Plato to understand the contemplative ideal; and to Jesus, Buddha and Confucius to understand the ideal of compassion. I’m also open to the possibility that my students might want to reject ideals out of hand, or at least carefully modulate their engagement with the ideal (ideals are dangerous). So I expose them to a few writers who have affirmed a worldly but humane and decent way of life: I often use Freud, but George Orwell or Michel de Montaigne could do just as well.

So now we have our syllabus. What happens then? We’ll begin with the heroic ideal, the oldest in the world. We try to learn what exactly it means to be a hero, at least to Homer and Virgil. We reflect on Achilles, who fears nothing and wants to be the greatest warrior who ever lived. We think about the more humane Hector, who is the archetype of the citizen soldier, and who fights to defend his city. We consider Aeneas, the pious warrior who lives for his father, his son and his people -- and who, the story has it, leaves the ashes of the city that Hector has died defending and founds Rome.

We ask questions. Is Achilles really a hero, or is he simply a killing machine? Is Hector being a coward when he flees Achilles, running from him around the walls of Troy? Is Aeneas’s modesty really compatible with being a fierce warrior?

These questions involve careful reading and interpretation. The students write about who they think the heroes are and why they matter -- or do not. But I also ask the students if these heroic archetypes provide them with what the Harvard University philosopher William James called “living options.” How much do they want to emulate these heroes, if at all? What place does courage have in their daily lives and what part would they like it to have? What sort of courage would they want to emulate: that of Achilles, or of Hector, or of Aeneas -- or perhaps of some other figure they have encountered in literature or in life? Would any of them consider committing themselves to a life of martial valor, in which bravery and honor take a central place for them and become their ideal?

We interrogate the ideals. Teaching a liberal arts curriculum is about enquiry, not indoctrination. Is the heroic ideal too often based on vanity and the narcissistic belief that though others may perish we ourselves will never die? I want my students to think about Freud’s critique of honor and heroism, as well as the critique that’s implicit in Shakespeare, and particularly in the King Henry plays. “What is honor?” asks Falstaff -- and he answers himself (and maybe speaks for Shakespeare): honor is a mere word, nothing special. More recent critiques of male violence and male bonding from the feminist perspective also come into play here and allow the students, male and female, to think twice and twice again about the heroic ideal.

Skepticism about ideals -- yes, to be sure: that’s part of the course. But I want to do what James hoped his teaching would do: open up possibilities for life. I also want students to be exposed to the life of compassion through study of Jesus and the Buddha and Confucius and to the life of thought through Plato. I don’t want this to happen uncritically -- even Plato has his detractors, though to be sure all philosophy is a footnote to his work. Yet still, I want my students to be open to the possibility of being influenced by the great ideals -- in small and measured ways, yes. But also in larger ways, too: they should have the chance to consider organizing their lives around the pursuit of an ideal.

Though the earliest promulgators of the great ideals may be male, they are there to be engaged by men and women and people of all races and origins. (If there is a culture in the world that does not revere bravery and wisdom and courage, I have not come across it.) What is feminism, what is egalitarian thinking, if not a call for equal access to the fruits of the best that has been thought and said?

I think that the enquiry into ideals is of particular importance now. This is because students at present often seem to feel that they are facing two options in life. They can pursue what I call the life of the self: they can try to succeed and prosper and live a measured, humane life. Or they can reject this life as sterile and selfish. Most of my students don’t see any other possibility: they can conform, or they can quit. The life of pragmatic success and the pursuit of middle-class happiness seem all there is, and they can take it or they can leave it.

But there is another kind of life: the life devoted in large measure to the ideal. Those who have followed the ideal path have often lived hard lives and met harsh ends. Think of Socrates; think of the martyred saints; think of the aspiring heroes who have died young. But many men and women have also found that commitment to the ideal fills life with meaning and intensity and even sometimes with joy. Those men and women may be wrong. All the defenders of worldliness and practicality may be right. But students should be allowed to hear both sides of the debate and to decide for themselves.

This is not a chance conversation, says Socrates, but a dialogue about the way we ought to live our lives.

Teach the ideals!

Mark Edmundson is University Professor at the University of Virginia. His new book, Self and Soul: A Defense of Ideals, is just out from Harvard University Press.

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Essay on what a professor learned from intense discussions with three international students

Suppose it’s been discovered that a person’s thoughts can be mapped from a close examination of the physiology of the person’s brain and, à la Fantastic Voyage, that humans can be shrunk to the size where they can be injected into the brain of another to perform such an examination. If this happened to an instructor of a college course so the instructor was able to get at the inner thinking of his students, what discoveries would he make? In what ways would he be surprised by what he learned?

Of course, the above remains science fiction rather than science. What might really be done in lieu of the shrinkage capability and the taking of such a fantastic voyage so the instructor can understand how students think? An instructor needs some sense of his students’ minds for making the various practical decisions in teaching a course. How difficult should the content be? What examples would well illustrate the subject matter? How can student interest be sustained during the class session? On what basis are such questions answered?

In a recent Opinionator column at The New York Times site, Paul Bloom asks: Just how successful are we at seeing the world as others see it?

His answer, consistent with Daniel Kahneman’s depiction of how people come to believe things as described in his book Thinking Fast and Slow, is that we are overly confident about this capability. We think we are reasonably competent in our projections about the worldviews of others, when in fact we are not good at this at all. Bloom writes [my emphasis added]:

“These failures should motivate a certain humility when it comes to dealing with the lives of others. Instead of assuming that we can know what it is like to be them, we should focus more on listening to what they have to say. This isn’t perfect -- people sometimes lie, or are confused, or deluded -- but it’s by far the best method of figuring out the needs, desires and histories of people who are different from us. It also shows more respect than a clumsy attempt to get into their skins; I agree with the essayist Leslie Jamison, who describes empathy as ‘perched precariously between gift and invasion.’”

The unmistakable message for instructors is that they need to find ways for their students to speak up and then they need to pay attention to what the students have to say. One way I have found to do this is by having the students write weekly blog posts, which I comment on and to which they then respond in kind, in advance of a class session that brings in what the students say in their posts as part of the discussion. I first wrote about this in a column from five years ago. I have repeatedly tweaked the approach since and used it in a variety of different classes. The current description reflects a more mature approach and is based on the class I currently teach, The Economics of Organizations, which is offered each fall.

I would like to discuss a different way to get at what students have to say that I tried this past spring, but first I want to note that the blogging and commenting builds a kind of trust between the students and me. In the language of the course, trust is a reputational asset, which has potential for producing return after the course has concluded. Students occasionally make use of this asset by asking the instructor to supervise them in an independent study project or to get the instructor to serve as a reference for them when applying to graduate school. But this use is highly idiosyncratic to the student.

I have recently reread the Boyer Commission Report, and in it there is a recommendation that every first-year student be part of a faculty-led seminar aimed at such students. Were this recommendation to be fully adopted in spite of the tough budget times we find ourselves in, there might be some follow-up that is more systematic and is driven by the institution to leverage the reputational asset that would emerge from this teaching setting. My example, described below, is perhaps suggestive of what such a systematic approach might be like.

Near the tail end of my class last fall, an upper-level undergraduate class that attracts mainly juniors and seniors, I invited the students to join me in a weekly discussion group for the spring. I had tried something similar the year before, but it failed then. There weren’t enough takers. This time around three students indicated interest. That was sufficient for us to get going. Indeed we started during the intersession between the two semesters, and except for the week of spring break went through till finals week. There were a few stumbles on the way, as this was a voluntary activity and these students were very busy with other things. We persevered nonetheless. I will now sketch our process and what I learned about the students from the discussion.

Note that opting in to the discussion group implies something other than a random selection from the class. Twenty-three students completed the course. Each of the three students from the discussion group received an A in the class, with the course grade not contingent on participating in the discussion group. (About 43 percent of all students got an A.) Each was an international student (about one-third of the total). Two were from China, the other from Korea. They were all double majors, with one of these majors economics. They were very diligent about their studies and took their grades quite seriously, much more so than I ever did when I was a student. They also enjoyed the friendly banter we had in the discussion group and would smile quite readily. Humor was part of the glue that held the group together.

There is something admirable about taking college courses in other than one’s own native language and to do so many thousands of miles away from home. These are acts of courage. In many ways these students are models for what we’d like to see from all students who go to college. Yet there is also something amiss, not covered in taking this model student view. These students were terribly overprogrammed, in my judgment. The Korean student, for example, whose other major is Electrical and Computer Engineering -- an unlikely combination in my experience, but he told me that he had an interest in patents, which explained the engineering part -- was taking 23 credit hours this spring. He accomplished this Herculean feat by not sleeping much at all, claiming to average only about three hours per night.

The other students were taking only 18 or 19 credit hours, but one of them was working two jobs in addition, while the other had quite a variety of extracurricular activity in registered student organizations. Indeed, being tired on a recurrent basis was an ongoing theme in our discussion.

My reason for starting the discussion group was that I thought students in my class were insufficiently creative in going about their studies. I wanted to see whether I might influence them to take a more experimental and rewarding approach to their learning in their other courses. As we already had the blogging mechanism from the course, we agreed that each week one of the group would write a post on the topic for that week (I would prompt the post author on that) and the others would write comments, this ahead of the group meeting to make sure everyone was ready and up to speed for the discussion, which occurred Friday afternoons at 3 p.m. and would last from 90 minutes to two hours.

We covered a variety of topics. As the University of China at Illinois piece had appeared soon before we got started, it informed our early sessions. We then talked about flow, my own variant of which I’ve called mental puttering, intrinsic and extrinsic motivation, inquiry cycles à la John Dewey, procrastination and deferred gratification, Atul Gawande’s "The Bell Curve" on how an experimental approach that goes beyond known research is needed to achieve superior performance, straying from the crowd, and a host of other topics. The conversations were engaging and fun, yet I was getting a lot of pushback on the underlying message, which I admit was a bit of proselytizing by me in favor of creativity.

About two months in I was frustrated by our lack of progress on my goals, so I did a simulation in our discussion of the deep sort of thinking that I believe is at the heart of creativity. We spent the first 40 minutes or so by doing a deconstruction of one sentence that the blog poster for that week had written. One question would follow another as we tried to find meaning from this investigation. For the first 35 minutes or so, they were into it. Then they tired and their eyes glazed over. Afterward they told me the experience was new to them. They had never thought about such a small idea in such a deep way, looking at it from all angles, trying to understand all the implications. They already knew how to get an A in their classes.

We did make a bit more progress on the point that college was supposed to achieve a dual purpose, with one of those an investigation into self to understand what makes one tick and what gives one pleasure and satisfaction. On this the students could see how the more creative approach would be appealing. But to them it seemed to come at too high a cost in terms of success at college, possibly jeopardizing their future careers.

The sessions that had the most learning for me came near the end of the semester, when I became aware of the students' high school experiences, the intense drilling they received in preparation for exams, and that pleasure reading, play and spontaneity in the learning were drummed out of them at that time. Their stories were both fascinating and horrifying. The cultures in which they were raised expects extraordinary discipline and very hard work to win the day while at the same time having the students entirely yield to the judgment of others as to what is intellectually appealing and worthy of engagement. Consequently, as committed as these students are, they are not masters of their own thinking.

Apart from the intense acculturation, let me mention two causes that feed the credential game these students are playing. One is that they pay tuition at international student rates, so college is quite expensive for them. They are not wealthy and need to get good return on that investment. Building a strong résumé is one overt way to generate such a return. The other is that they are playing a kind of Prisoner’s Dilemma with their fellow students. If the others produced less impressive credentials, they might treat their own education more as self-nurture and less as signal for the labor market. Self-nurture loses, however, when everyone else is playing the credential game.

The Prisoner’s Dilemma produces an individually rational but socially destructive outcome. How can we change the game in a way to make the outcome better?

Lanny Arvan is emeritus associate professor of economics at the University of Illinois at Urbana-Champaign.

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Essay about an unexpected success in teaching online

I remember well my first class in graduate school, now 10 years ago, because I was only somewhat prepared for it. My pencil pouch held a full canister of lead, but, when our creative writing professor asked us to go around the octagonal seminar table to sign up for our workshop dates, I had to ask, “What’s a workshop?”

“Well,” the guy next to me said, “you sit in the middle here, blindfolded, and we all take turns -- ” He held up his fist as if to throw a punch.

There is a kernel of truth in his humor: the cloth covers not your eyes but your mouth. On the days you “are workshopped,” as it is said, the class discusses the merits and faults of the writing you submitted the week before, and you’re not allowed to talk during this discussion. It’s called the gag rule. The main reason for this rule is that ungagged authors are too compelled to defend their writing -- but a workshop is not a defense. There is no passing or not passing the workshop. You simply gather feedback, take what you’d like and disregard the rest.

The stakes couldn’t be lower, in other words, so why is it commonly such a bruising experience?

“It’s just … not … good,” a student said in my second class, the first workshop of the semester. Ouch. The most infamous comment I heard in my years in graduate school was, “When I read something like this I think, ‘Oh, he must be writing in his underwear.’” I’m not sure what he meant, exactly, but we all caught the drift.

There’s another kernel of truth in my classmate’s comment: there’s something about a workshop that allows fists to fly, and I’m not above reproach. I regret once saying a page of dialogue was “like a soap opera script.” Another time, when I was workshopped, a classmate said, “I don’t see the point of reading this.” Afterward he came over to me and said, “That came off way more antagonistic than I meant it to.” I said bitterly, “You’re not a good reader.”

Is this how one becomes a master of fine arts?

Many say we can do better, for reasons personal (flying fists) and pedagogical (lack of evaluation of what students actually learn -- and tacit permission of flying fists). Sum it up in the title of a book by writers and teachers Carol Bly and Cynthea Loveland that came out in 2006, Against Workshopping Manuscripts: A Plea for Justice to Student Writers.


After graduating, I began to teach creative writing classes, and, resolved to do justice, I tried alternatives to the workshop. I taught forms and principles and assigned exercises. I modeled how to write like a good reader -- which is to say, how I imitate writing I admire (and try to conceal this imitation). We studied “how to write” books -- Bird by Bird by Anne Lamott, Triggering Town by Richard Hugo, and On Writing Well by Howard Zinsser. I wanted to scrutinize the methods and techniques of producing writing, rather than student writing itself. The closest we got to workshops were small groups in which students shared their work -- with no gag rule.

It was OK. Not great. The students seemed to like the class, but as a teacher, I felt like I was trying to cook on a feeble campfire, the water never getting to a full boil.

There is something valuable, I’ve since realized, in turning up the heat on students. In other classes, this heat comes in a term paper or a final exam, a culminating moment that tests student mettle, that makes students do the best they possibly can. In a creative writing class, this heat comes in a workshop.


Meanwhile, something else occupied my teaching life: I began teaching some of my classes online. My classes are asynchronous, meaning that while there are deadlines, there is no live interaction. The weekly conversation between students and myself happens on the discussion board, on which students respond to prompts I give them and comment on each other’s ideas. In my first-year composition class, they also review and edit fellow students’ drafts.

I love the discussion board as a teaching tool for several reasons, including how I can manage the occasional flying fist. The weekly, graded discussion board assignment asks students to give thoughtful feedback -- in agreement or disagreement -- and a nasty comment almost always stands in place of thoughtfulness. So, if a student writes something offhanded, snarky or just plain mean, I can get ’em where it counts: I take off points.

For doing so, in my anonymous student evaluations I once took a jab myself: “Taking off points for something the teacher took personally is crap.” I’m all but certain I know who wrote this, and it delights me to mention that, after my reprimand earlier in the semester, his discussion board participation was excellent, not to mention civil, and he got an A in the class.

As for his parting shot, well, I suppose I did take it personally: no one is going to be mean in my class.


With this capability, I’ve now returned to teaching creative writing workshops -- this time online. After a few weeks of preliminary exercises, much like I did in the classes I taught after graduate school, students spend the rest of the semester workshopping each other’s poetry, fiction and personal essays on the discussion boards. Students get full scrutiny of their peers -- the heat is up -- and when the time comes to administer student justice, I’m ready.

I’m surprised to say I’ve even instituted the gag rule, something I loathed as a student in workshops myself. It’s valuable for authors to see how little they control their readers, so long as I can control the readers from doing their worst. I have also been surprised to realize that, as it is often said of online education, students are welcome to come to class -- and write -- in their underwear.

Brian Goedde has an M.F.A. from the University of Iowa Nonfiction Writing Program and teaches writing at the Community College of Philadelphia.

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Essay offers advice on how to be a good and effective professor

Christopher Schaberg and Mark Yakich offer advice for those starting off their careers, or just another academic year.

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