Excelencia in Education today released a report that lists the 25 colleges that graduate the most Latino students in science, technology, engineering and math. Using data from 2013, the nonprofit group found that 2 percent of all U.S. institutions graduate one-third of Latinos who earn STEM credentials. While the number of Latinos earning these credentials has increased, they still account for just 9 percent of STEM credentials earned. Latinos working in STEM also are concentrated in lower-paying jobs, with a higher representation in service fields than in professional occupations.
“The report shines a light on what many of us know to be true: that diversification within STEM postsecondary education, particularly among Hispanics/Latinos over the last decade, has been largely in the area of certificate/associate levels and diminishes at each successive level,” Gabriel Montaño, a research scientist at the Los Alamos National Laboratory and president of the Society for Chicanos and Native Americans in Science, said in a written statement. “The result is an increasing discrepancy in positions of leadership within the STEM workforce.”
The lists of top colleges for the production of Latino STEM graduates follows:
Certificates Awarded to Latinos in STEM Fields
Instituto de Banca y Comercio Inc., Puerto Rico
South Texas College
Miami Dade College
Wyotech-Long Beach, Calif.
United Education Institute-Huntington Park, Calif.
Associate Degrees Awarded to Latinos in STEM Fields
South Texas College
San Jacinto Community College, Texas
University of Phoenix-Online
El Paso Community College, Texas
Instituto Tecnologico de Puerto Rico-Recinto de Guayama
Bachelor Degrees Awarded to Latinos in STEM Fields
University of Puerto Rico-Mayaguez
Florida International University
The University of Texas at El Paso
Texas A&M University at College Station
University of Texas-Pan American
Master's Degrees Awarded to Latinos in STEM Fields
Universidad Politecnica de Puerto Rico
Florida International University
University of Texas at El Paso
University of Puerto Rico-Mayaguez
University of Southern California
Doctoral Degrees Awarded to Latinos in STEM Fields
A new graduate school of education will be competency-based. As demand for teachers increases and alternative preparation programs spread, this school hopes to stand out to the best aspiring educators.
A student at California's Crafton Hills College and her parents are urging the institution to ban the teaching of several graphic novels, Redlands Daily Facts reported. The student says that the novels, including Fun Home, The Sandman, Vol. 2: The Doll’s House and Persepolis are violent, pornographic or both. (The novels have all been widely praised by critics, winning awards.) Ryan Bartlett, associate professor of English, said that this is the third time he has taught a course on graphic novels, and the first time there has been a complaint.
“I chose several highly acclaimed, award-winning graphic novels in my English 250 course not because they are purportedly racy but because each speaks to the struggles of the human condition,” Bartlett said in an email to the Daily Facts. “As Faulkner states, ‘The only thing worth writing about is the human heart in conflict with itself.’ The same may be said about reading literature. The characters in the chosen graphic novels are all struggling with issues of morality, self discovery, heart break, etc. The course in question has also been supported by the faculty, administration and approved by the board.”
I’m a liberal white faculty member, and I have a confession: I have no idea why other liberal white faculty members claim to be so afraid of their liberal students. In the past few months, anonymous (and sometimes not) white professors have started airing these fears, or re-airing them, as they are reminiscent of old complaints. The campus culture, they claim, has grown toxic, with faculty members carefully paring their syllabi to avoid any potentially uncomfortable material. A specter, they will tell you, is haunting universities -- the specter of political correctness, or radical liberalism, or identity politics.
The latest of these accounts, published recently in Vox under the pseudonym Edward Schlosser, is particularly unconvincing. Schlosser, an ostensibly liberal professor, conflates real problems -- the shifting of higher education toward a consumer experience (explained and deflated well here by Rebecca Schuman) and the absence of job protection for contingent faculty -- with ghosts conjured by paranoia. The generality of Schlosser’s writing doesn’t pass the sniff test; for example, he claims, “Personal experience and feelings aren't just a salient touchstone of contemporary identity politics; they are the entirety of these politics.”
That sentence doesn’t stack the deck so much as it replaces it entirely. And the oddly random anecdotes of feelings-driven radical liberalism don’t add up; as in many invocations of the dangers of student liberalism, Twitter is a central go-to demon. The fundamental irony of Schlosser’s essay is that he criticizes overreliance on emotional responses that students have, but the fear he describes ultimately seems like an overreliance on an emotional response by some white faculty members. Criticism from students -- whether it’s over the reading choices, the assignments, the in-class dynamic -- isn’t new, even if it develops out of students’ political perspectives or not. Instructors have to learn to meet that criticism and engage it respectfully.
Finally, people of color are starkly underrepresented among full-time faculty members and face authority challenges in the classroom that white male faculty do not, so the growing concern about what the white professoriate can and cannot say seems laughable to me. Plus, for what it’s worth, I’m a white male instructor unprotected by the tenure track, but I don’t feel the fear Schlosser describes, and my academic friends and colleagues, both tenured and not, at a wide variety of institutions, either don’t feel this fear or don’t confess it to me.
All that said, I do think Schlosser’s concern comes from meaningful, important questions: How do faculty members teach controversial material in an open, respectful forum where students can learn? And how can white male instructors approach issues of race, gender and sexual orientation with sensitivity? I teach first-year writing, creative writing and the personal essay, so each semester I regularly teach (and encounter in student writing) controversial material. If a student has raised a complaint about my handling of that material, it hasn’t been mentioned to me. I don’t assume to know every experience that might arise in the humanities classroom; I also can’t claim I’m the exemplar of how to encounter controversial issues in the classroom. Based on my experience, though, I have suggestions below on how Schlosser and other fearful faculty can teach controversial material.
Know, and admit, the limits of your authority. All instructors try to prepare as comprehensively as possible, but we all enter the classroom with our blind spots, our little (and sometimes big) ignorance. If you help students understand both the background of knowledge you bring as well as the uncertainties and questions you ask of a subject, they likely will understand your perspective more fully and engage with the questions you want them to consider. You won’t lose authority; rather, they’ll grow to see, via your model, how they can enter into complex problems and develop their own authority. They’ll also recognize the limits of their own knowledge, and that knowledge is fluid and limited.
Know, and admit, the extent of your authority.Faculty members are overwhelmingly, disproportionately white; department chairs more so. That’s the main reason I can’t take seriously this anonymous fear of retribution from liberal students: even at colleges with less diverse student populations, students still find more diversity among their peers than on the faculty. The resistance some white faculty members feel from students is, among other things, likely resistance to discovering the university as an ostensibly open environment that is still a sometimes unwelcome one for students of color. Even if we’re trying to be welcoming, white faculty members, myself included, are part of the problem, whether we like it or not. (NB: We should not.) Acknowledging that disparity as part of the process of teaching difficult material can help students discuss that material openly.
Know your place -- or, rather, know the place you’re in. While earning my Ph.D., I taught at an urban campus in the Midwest. In one first-year writing course, a student argued that affirmative action has given unfair opportunities to African-American students. In the course of the conversation, I asked the students what percentage of the student body they thought was African-American. One student, from a rural area, guessed 50 percent; no student guessed less than 25 percent. When I told them the percentage was actually under 10, well under the demographics of the city, state and nation the university was home to, they refused to believe me. (Had they looked around the room, they would have seen a single African-American student among the 18 of them.) When I showed them the university’s website, the look of confused resistance that spread on their faces appalled me; one student continued disagreeing, saying there must be some mistake with the website -- an administrator had told him it was 25 percent.
Had I been more aware of the place I was in, I would have understood their reactions better. A colleague reminded me later that the university was bordered on two sides by predominantly African-American neighborhoods; the custodial staff and service workers on campus were also largely African-American. Many of the students came from predominantly white neighborhoods and rural areas; they’d never seen so many African-Americans, so their imaginations likely multiplied those numbers.
Wherever we are, we should remember that academe is a shorthand for extraordinarily diverse kinds of universities. That’s why many of us resist when longtime tenured faculty from elite universities describe their experience as universal, a useful reminder that advanced age and advanced degrees don’t necessarily confer wisdom. Knowing your own college or university culture more intimately will help you work more directly with your students, whether the subject matter is controversial or not.
Recognize your own emotional reactions. Fear has a way of magnifying itself. Just because you’re afraid doesn’t mean the thing you’re afraid of is real. Along those lines, I’m skeptical of those who posit a split between the intellectual and emotional. Too many of the essays about fear of liberal students (especially Schlosser’s in Vox) posit the fearful faculty as reasonable and the student body as unreasonably emotional. Not only does the fear some white faculty members describe seem like an emotional embellishment, conceiving of emotion and reason as disconnected opposites does a tremendous disservice to both. Yes, reason and logic can be dispassionate, even at times disconnected from our emotional responses, but to pretend that they must be ever thus in the humanities classroom ignores basic human experience. If you pretend as Wendy Kaminer does that the utterance of the n-word by a white person has a negligible emotional charge, you’re committing an intellectual sin.
Explore your own bias, and never treat it as solved. I’m a white man born and raised in Arkansas. I’ve spent years working to understand the legacy of racism in my home state, and I’ve come to understand that, no matter how fully I try, I’ll probably never filter from myself the last dregs of that legacy. Exploring that bias -- via Harvard University’s Implicit Bias test, for example -- and acknowledging it to students can be a useful path to helping instructors and students recognize their own biases and develop a more complex understanding of their own emotional and intellectual responses.
When we discuss race in my classes, I tell my students of my background and acknowledge that, as careful as I try to be in thinking and speaking about race, I almost surely bring biases and emotional reactions I don’t yet recognize. In my experience, that engages them with their own experience and the intellectual material we discuss. Along those lines, instructors can benefit from presenting themselves as learners. Both the best and the most frustrating students have an inherent mistrust of authority, I think. As an instructor, I do, too. My greatest pleasure in teaching is being surprised and enlightened by my students’ work, especially their productive, constructive challenges to authority. And when they realize they’ve taught the instructor something, the students gain a useful confidence and foundation for the development of more complex ideas.
Teach difficult, controversial texts, paying particular attention to intellectual and cultural diversity. The avoidance of difficult material that Schlosser describes would be enormously counterproductive, of course, and faculty need to reconsider their syllabi in light of ongoing change. For example, I had long been proud to have a diverse list of poets and fiction writers in my creative-writing class. But when I reconsidered the syllabus last summer, I discovered that the poetry readings were less diverse and less focused on issues of race and gender than I had thought. So I adjusted the readings, adding in poems like June Jordan’s “Poem About My Rights” and short stories like Percival Everett’s “The Appropriation of Cultures,” excellent writing that drew the students’ attention to complex issues. Just as we discussed sound and sonnet structure in Gerard Manley Hopkins’s “God’s Grandeur,” and image and figure in Marianne Moore’s “Poetry,” we discussed line breaks, anaphora, tone and race in Jordan’s poem.
As sometimes happens, I encountered student fatigue with discussions of race (in this case in a discussion of Jordan’s poem), only to discover what I think is often the source of that fatigue: many students see the beginning and end point of such discussions as “racism is bad.” When reluctant students saw how the issues were more complicated and required more inquiry, they became more engaged and moved to more compelling insights about the poem and about race.
Make clear the potential discomforts and challenges of the course material. To many, that might sound like a trigger warning, but it actually isn’t. On the first day of my classes, I mention that our reading (and possibly their writing, in creative-writing and personal-essay courses) will make us think in complicated, sometimes uncomfortable ways, about sexuality, race, gender and age, among other subjects. That isn’t a trigger warning; it’s simple politeness. Each class approaches its subject matter differently, and guiding students to your pedagogical approach helps them build the class dynamic more constructively. Trigger warnings, on the other hand, explicitly inform students about subject material that might trigger memories of trauma for those who’ve suffered that trauma. Though I don’t include trigger warnings, it’s frustrating that so many critics of trigger warnings conflate discomfort and trauma, ultimately misrepresenting the idea and design of trigger warnings.
If a student accuses you of hurting her/his feelings in a meaningful way, assume you’re in the wrong before you assume you’re in the right. This runs counter to the idea of “innocent until proven guilty,” but it’s a useful guide to self-awareness. (Bear in mind that I’m not arguing that departments should assume their faculty are in the wrong.) In academic and nonacademic contexts, I’ve seen plenty of people react immediately with a sharp defensiveness to all kinds of accusations, only to calcify that defense over time. (Full disclosure: I’ve been that person before and likely will be again.) Moving past the initial defensiveness, or converting the initial impulse into self-inquiry, can be useful in helping instructors consider their biases and emotional responses. Even if you and your colleagues decide you weren’t in the wrong, avoiding the defensive impulse will make you a more perceptive teacher.
What I’ve written above isn’t a comprehensive guide for scared white faculty; I’ve based it on my experience, so it’s necessarily limited. I’m trying to keep myself malleable in the hope of becoming a better teacher. Students will change over time; decrying the loss of some golden age while warning of some encroaching PC liberalism screaming across the sky does the students no good.
Charles Green teaches writing at Cornell University. He hopes that his bosses at the Politically Correct Policepersons Union will accept this essay in lieu of dues this month.
National University will lead a newly formed coalition of nine universities that are seeking to expand teacher development and early childhood initiatives, the San Diego-based National announced this week. The $30 million Sanford Education Collaborative will reach into more than 2,000 schools in California, Florida, Maine, New York, South Dakota and Washington.
The project will expand on two existing programs, which were originally developed at Arizona State University. Sanford Harmony stresses positive interactions between students through exercises featuring communication, empathy, critical thinking, communication, problem solving and strengthening peer relationships. Sanford Inspire seeks to give K-12 teachers professional development tools and resources to create inspiring classroom environments. Both are named for T. Denny Sanford, a philanthropist who has helped fund them and the new university collaboration.
As I got ready to turn in my spring semester grades this week, I was depressed to realize I would have to fail two students who hadn’t finished the work in my classes.
I say “depressed,” but I wasn’t really. I’m using this word as a shorthand to describe my gloomy sense of wishing I had been a better teacher. The students were the ones who were actually depressed, which was precisely the problem.
As someone who teaches disability studies, I think a lot about how to make my classes accessible to students with a range of learning styles and physical abilities. I present material in varied formats and offer different options for completing assignments so that students can produce work that best reflects what they’ve learned and what they are capable of doing. Because of their subject matter, my courses attract students with disabilities, and I’m used to accommodating them.
But I find students with depression among the hardest to accommodate. Students who are depressed tend to withdraw and vanish rather than to ask for help. When they do show up to class or office hours, they are unmotivated and joyless. The very nature of their illness often makes the professor into an antagonist rather than a source of support.
Tania, a student who -- ironically enough -- failed my class on disability studies, didn’t respond to my email messages about an upcoming presentation. She showed up in my office 15 minutes before class looking exhausted, her skin covered in an angry rash. “I didn’t do the work, OK?” she said in a despairing tone. “I know you’re going to yell at me, so why don’t you just do it?”
Putting aside my dismay over the missing presentation, I asked how I could help. Tania dissolved into tears: she was depressed and having trouble getting her work done. She hadn’t bothered to register with our Office of Disability Services because she felt so confident at the beginning of the semester. I made sure she had seen a therapist and gave her the chance to make up for the missed presentation. I urged her to stay in touch and ask for my help rather than vanishing if she continued to struggle. I also suggested that she contact the ODS to help her get accommodations for her other courses. (Do I even need to say that I did not yell at her?) After that day’s class, I never saw her again. She didn’t do the presentation or turn in a final paper. When it came time to turn in my grades, I had no choice but to give her an F.
My other student, Aurora, did register with ODS late in the semester after sitting silently during seminar discussion for most of the term and then missing a series of classes. Through ODS, she asked for extra time on her final paper and the opportunity to make up for her lack of participation. The deadlines we had set came and went, I was unable to reach her, and she too failed the class.
Tania and Aurora are hardly unique. In The Noonday Demon, Andrew Solomon writes that depression is the leading cause of disability in the world’s population over age 5. Up to 19 million Americans (3 percent of the total population) suffer from depression, while manic depression affects 2.3 million people and is the second leading killer of young women, the third of young men. “Worldwide, including the developing world,” Sullivan writes, “depression accounts for more of the disease burden, as calculated by premature death plus healthy life years lost to disability, than anything else but heart disease.”
College students are particularly vulnerable, and rates of depression are on the rise. College creates an environment of high expectations, constant evaluation and deadlines that can heighten stress and anxiety. A 2008 study from Columbia University found that up to 50 percent of college students experience psychiatric disorders, although fewer than 25 percent seek treatment. Students suffering from psychiatric illness are less likely to attend class, complete assignments and graduate from college. They are more prone to engage in substance abuse. Suicide rates among college students have nearly doubled since the 1950s.
An elite residential university like mine is especially likely to produce or exacerbate depression. Students are especially susceptible when they are living away from home for the first time, often with less experiences and resources for coping with adversity than older adults. A rising senior at my university blogged recently that my university is “a place of unimaginable wealth, privilege, cruelty, pressure and stress…. Depression is normal, but here, it’s the norm.”
I know some of my colleagues see the rising incidence of disability among their students as evidence of the medicalization of our culture. The problem is not that more students are experiencing learning, mood and behavior disorders, they tell me, but that we live in a society that is too quick to diagnose and medicate conditions that, in the past, would be considered ordinary human behavior. So too, they argue, privileged students often use diagnoses as an excuse to get accommodations that give them an unfair advantage over their peers.
Given the stigma surrounding disability, there is little incentive for students to claim disability for the purposes of personal gain. It is far more likely for students to avoid getting treatment than to deliberately pursue a diagnosis to get a competitive edge. Indeed, research shows that less than 25 percent of students suffering from psychiatric illness seek treatment.
Depression is a real disability that needs to be accommodated, in the same way we accommodate students who use wheelchairs or have vision impairments. Beyond the minimum requirements stipulated by the Americans With Disabilities Act, colleges and universities need to do all they can to help students with disabilities by providing adequate counseling and accommodations.
But we also need to face the unfortunate fact that sometimes college, especially a highly competitive, residential college like the one where I teach, is an unhealthy environment for students with more severe forms of depression. Maybe depression is one disability I’m not able to accommodate. And maybe my students, in vanishing from class, are making that decision for themselves.
Rachel Adams is a professor of English and American studies at Columbia University, where she also directs the Center for the Study of Social Difference. Her most recent books are Raising Henry: A Memoir of Motherhood, Disability and Discovery and Keywords for Disability Studies.
After seeing its majors drop, Stanford's political science department overhauls the undergraduate major, focusing less on specialization and more on issues students care about. Could other departments be next?