Higher Education Webinars
June 19, 2007 - 11:01am
I was plucked by McSweeney’s Internet Tendency from gray anonymity and propelled onto the glamorous stage of Internet pseudonymity , where I first caught the eyes of the just-as-astute editors at Inside Higher Ed. As a result, I became, as you know, the very first personal valet to IHE founding editor Doug Lederman.
June 16, 2007 - 10:45am
Today is the annual worldwide celebration of Leopold Bloom’s adventures around Dublin in 1904. So set down your ashplant, hoist a Guinness, and check out:
June 11, 2007 - 9:51pm
We finished reading for the AP exam in Louisville on Saturday, and I’m home now. But before I left, I sat down with Jim Barkus, Chief AP Reader for Literature and Composition, and Professor of English at Baylor University, to ask a few questions.
May 31, 2007 - 10:16pm
No, not with childcare; I have that under control. When Mrs. Churm left Sunday for the NAFSA conference in the Twin Cities, which will last a week, I blew my bosun’s whistle to call my two little boys away from the window, where they were sadly waving goodbye to their mother. They fell in. I blew it again, and they snapped to attention. “Rule One!” I said. “Daddy’s number-one job is to keep us safe!” Starbuck shouted. His little brother, Wolfie, said, “Bye,” and started biting my cell phone. “Rule Two!” I said. “Daddies always win,” Starbuck shouted.
May 31, 2007 - 9:17am
Near the end of each semester a student inevitably asks, “Why is literature always about bad stuff?” Even if we’re not reading, say, Titus Andronicus (dismemberment, cannibalism, it’s got it all), cummings (“his rectum wickedly to tease / by means of skilfully applied / bayonets roasted hot with heat”), or Erdrich’s “Red Convertible” (suicide, students suspect, maybe), it’s a fair enough question. Do you know a literary work in which everything turns out great?
May 25, 2007 - 5:44pm
But another kind of teacher, the artist, shows us how to see, and some of the most interesting are those who model growth of consciousness over time, using developing craft to expand ambition. These career arcs offer much pleasure and instruction, especially when combined with letters, memoirs, interviews, and secondary sources. In literature, Joyce’s arc grew toward unintelligibility, as did Henry James’s, in a different way. Twain’s arc grew from high jinks through moral profundity and into prescient bitterness. In painting, J.M.W. Turner and Picasso come to mind.
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