If your professor has sent you a link to this page, two things are likely true. First, you probably sent an email that does not represent you in a way you would like to be represented. Second, while others might have scolded you, mocked you or despaired over the future of the planet because of your email, you sent it to someone who wants to help you represent yourself better.
In part, because only a click or swipe or two separate emails from Facebook, Twitter, Instagram and texting, the lines between professional emails and more informal modes of writing have become blurred, and many students find the conventions of professional emails murky. We think we can help sort things out.
In the age of social media, many students approach emailing similar to texting and other forms of digital communication, where the crucial conventions are brevity and informality. But most college teachers consider emails closer to letters than to text messages. This style of writing calls for more formality, more thoroughness and more faithful adherence (sometimes bordering on religious adherence) to the conventions of Edited Standard Written English -- that is, spelling, punctuation, capitalization and syntax.
These different ways of writing are just that -- different ways of writing. The letter approach to emails is not always and forever better (or worse) than the texting approach. Knowing how and when to use one or the other -- based on why you are writing and whom you are writing to -- makes all the difference. So, if you use emojis, acronyms, abbreviations, etc., when texting your friends, you are actually demonstrating legitimate, useful writing skills. But you aren’t if you do the same thing when emailing professors who view emails as letters.
Effective writing requires shaping your words according to your audience, purpose and genre (or type of writing, e.g., an academic email). Together these are sometimes called the rhetoricalsituation. Some of the key conventions for the rhetorical situation of emailing a professor are as follows:
1. Use a clear subject line. The subject “Rhetorical Analysis Essay” would work a bit better than “heeeeelp!” (and much better than the unforgivable blank subject line).
2. Use a salutation and signature. Instead of jumping right into your message or saying “hey,” begin with a greeting like “Hello” or “Good afternoon,” and then address your professor by appropriate title and last name, such as “Prof. Xavier” or “Dr. Octavius.” (Though this can be tricky, depending on your teacher’s gender, rank and level of education, “Professor” is usually a safe bet for addressing a college teacher.) Similarly, instead of concluding with “Sent from my iPhone” or nothing at all, include a signature, such as “Best” or “Sincerely,” followed by your name.
3. Use standard punctuation, capitalization, spelling and grammar. Instead of writing “idk what 2 rite about in my paper can you help??” try something more like, “I am writing to ask about the topics you suggested in class yesterday.”
4. Do your part in solving what you need to solve. If you email to ask something you could look up yourself, you risk presenting yourself as less resourceful than you ought to be. But if you mention that you’ve already checked the syllabus, asked classmates and looked through old emails from the professor, then you present yourself as responsible and taking initiative. So, instead of asking, “What’s our homework for tonight?” you might write, “I looked through the syllabus and course website for this weekend’s assigned homework, but unfortunately I am unable to locate it.”
5. Be aware of concerns about entitlement. Rightly or wrongly, many professors feel that students “these days” have too strong a sense of entitlement. If you appear to demand help, shrug off absences or assume late work will be accepted without penalty because you have a good reason, your professors may see you as irresponsible or presumptuous. Even if it is true that “the printer wasn’t printing” and you “really need an A in this class,” your email will be more effective if you to take responsibility: “I didn’t plan ahead well enough, and I accept whatever policies you have for late work.”
6. Add a touch of humanity. Some of the most effective emails are not strictly business -- not strictly about the syllabus, the grade, the absence or the assignment. While avoiding obvious flattery, you might comment on something said in class, share information regarding an event the professor might want to know about or pass on an article from your news feed that is relevant to the course. These sorts of flourishes, woven in gracefully, put a relational touch to the email, recognizing that professors are not just point keepers but people.
We hope that these rules (or these and these) help you understand what most professors want or expect from academic emails. Which brings us back to the larger point: writing effectively does not simply mean following all the rules. Writing effectively means writing as an act of human communication -- shaping your words in light of whom you are writing to and why.
Of course, you won’t actually secure the future of the planet by writing emails with a subject line and some punctuation. But you will help your professors worry about it just a little less.
With wishes for all the best emails in the future,
PTC and CHM
Paul T. Corrigan and Cameron Hunt McNabb are assistant professors of English at Southeastern University.
Academic life can be insular and claustrophobic, and when I want to escape into a world unlike the one I know too well, I read mainstream journalism about academe.
Gone are the demands of e-mails to settle small administrative issues or to reschedule student conferences, the asbestos abatement in the office next door, the lesson planning, the thrilling moments of seeing students learn. Instead, in journalism about academia, shadowy cabals rule every gesture, and an Orwellian darkness encroaches. Of course, like any enormous incorporation of people with differing goals, academe has its cliques, its pettiness, its paranoia and its very real problems.
Yet journalism has little interest in day-to-day university life or in the complexity of dynamic, systemic problems. Plus, when any aspect of university life appears in the news, a necessary but forgotten asterisk is often absent: colleges and universities can be very different from one another, with seeming trends much more limited than they appear. As an undergraduate, I attended a commuter college with one dorm and one fraternity; as a graduate student, I attended the flagship campus of a Midwestern state university, then an urban campus considered by a surprisingly high number of students as their university of last resort, despite the high quality of education they received. Now I teach at an Ivy League university, with cultural norms both similar to and different from those of my undergraduate and graduate experiences. The most prominent similarity, in my experience, is the expense and challenge of parking.
I recently escaped into the wild fantasy of Jonathan Chait’s essay “Not a Very P.C. Thing to Say,” in which he attempts to diagnose and critique language-use rules among leftists and liberals. His summary, from a follow-up post: “The story describes a set of social norms and protocols within communities of the left that make meaningful disagreement impossible on issues related to race and gender. I decided to reclaim the widely misused term political correctness rather than invent my own.” Much in his essay is wrong, starting with his understanding of political correctness.
Is Political Correctness Real?
Chait writes that he “reclaims” political correctness, but what he reclaims is unclear. He summarizes the history of P.C. thus: “After political correctness burst onto the academic scene in the late ’80s and early ’90s, it went into a long remission. Now it has returned.” Chait’s capsule history isn’t so much an elision as a fiction. There aren’t any straightforward, uncontested histories of political correctness as a term, used inside and outside academe, nor of it going into “remission.” At any given moment, it has seemed much more like Supreme Court Justice Potter Stewart’s definition of obscenity: “I know it when I see it.”
In Chait’s essay, political correctness is whatever he needs it to be; he knows it when he sees it. Most often it’s a widespread “academic movement,” organized by “pro-P.C. activists," but elsewhere it “is a style of politics” and even a zombie, having died: “The most probable cause of death of the first political-correctness movement,” he begins one section, “was the 1992 presidential election.” Remarkably, Chait never cites or quotes anyone acting in the name of political correctness, nor does he demarcate the parameters. He writes, “In a short period of time, the P.C. movement has assumed a towering presence in the psychic space of politically active people in general and the left in particular.” Towering presence, psychic space: Chait has hyperbolized what may have begun as an inside joke, transforming it into an internal psychic repression.
Yet for a movement so broad, it’s oddly shadowy. In telling the story of University of Michigan student Omar Mahmood, whose apartment was vandalized after he wrote a satire of offense taking on campus, Chait writes, “Mahmood was widely seen as the perpetrator rather than the victim.” The passive voice gives away the game: Who saw Mahmood as perpetrator, and how does Chait know that view was widespread? Track passive voice and the pronouns that float unmoored from actors, and you may start to see Chait’s essay as conspiracy theory. Chait compounds the sense of conspiracy with an Orwell allusion standard to overheated-but-undercooked op-eds: “The subsequent vandalism of [Mahmood’s] apartment served to confirm his status as thought-criminal.” “Served to confirm” to whom?
When Evidence Isn’t
How does Chait demonstrate the re-emergence of what he sees as thought policing? If we accept his evidence at face value, it seems compelling. But his anecdotes simply don’t demonstrate what he intends them to do. Sift his evidence, and you end up with almost nothing.
For example, look at how he treats the protests against talks by Bill Maher and Ayaan Hirsi Ali: “You may remember when 6,000 people at the University of California-Berkeley signed a petition last year to stop a commencement address by Bill Maher, who has criticized Islam (along with nearly all the other major world religions). ...[O]thers at Brandeis blocked Ayaan Hirsi Ali, a women’s-rights champion who is also a staunch critic of Islam....”
Chait euphemizes how both Maher and Ali have spoken of Islam. Maher doesn’t simply degrade Islam as he does other religions, he explicitly denounces the entirety of the religion as brutal. And context matters: Maher was invited as a commencement speaker; for Muslim students in the audience, the invitation to Maher suggests that critical thinking -- the kind Maher studiously avoids in his comments on Islam -- is unimportant. Ali’s situation was similar; she was being awarded an honorary degree that was rescinded when people drew attention to her 2007 comment that the entirety of Islam should be defeated, as well as her comments that Islam is a “destructive, nihilistic cult of death” and that there is no moderate Islam. Somehow, “staunch critic” doesn’t do justice to her actual language.
These comments are offensive, but not just to Muslims: they are offensive to anyone who values critical thinking, one of the explicit central values of universities. Had Maher and Ali been invited by groups independent of the university administration, the criticism would have been less notable and vocal. And, as Chait’s essay doesn’t mention, Maher still spoke at commencement with broad support on campus, and Ali was invited to speak at Brandeis.
Chait’s other omissions and elisions reveal how paltry his evidence is. He writes, “Stanford recently canceled a performance of Bloody Bloody Andrew Jackson after protests by Native American students.” According to Chait’s summary, the university itself -- presumably represented by higher-ups in the administration -- prevented the performance. But that’s not even remotely true; after long talks with Native American groups on campus, the groups producing Bloody Bloody Andrew Jackson decided to cancel the show. What happened next, in the parlance of clickbait headlines, will astound you: the groups who canceled the show put together a new show called Does This Offend You?, in which they performed controversial songs from Bloody Bloody Andrew Jackson and other musicals. And they did so with enthusiastic support from the Stanford American Indian Organization, the group that originally brought forward their concerns with the original show. Either Chait omitted the aftermath because it wasn’t convenient to his narrative, or he ignored it. As he’s phrased it, his argument is cherry-picking and misleading.
Elsewhere, he distorts contexts and terminology, treating university debates as cutesy oddities. He writes, “UCLA students staged a sit-in to protest microaggressions such as when a professor corrected a student’s decision to spell the word indigenous with an uppercase I -- one example of many ‘perceived grammatical choices that in actuality reflect ideologies.’” His summary is both true and fundamentally misleading. Whether you agree or not that the lowercase i was an insult -- for what it’s worth, I do agree -- to treat it outside of its context amounts to a falsehood. At the time of the sit-in, UCLA was dealing with serious charges of systemic denigration of faculty of color; students of color were responding to what they saw as similar mistreatment -- condescension and hostility from students and faculty. And, contra Chait’s claim of repression and silencing, the students were asking to be heard. Acknowledging that complexity, though, runs counter to his thesis.
He doesn’t just minimize context in the sit-in anecdote; Chait has little respect for trigger warnings or the growing concern over microaggressions, mainly because he doesn’t seem to understand them. He introduces trigger warnings by writing, “At a growing number of campuses, professors now attach ‘trigger warnings’ to texts that may upset students.” One of Chait’s readers unfamiliar with academia might assume that trigger warnings are becoming more broadly accepted, but that simply isn’t the case; facing criticism of a broad policy recommending, not requiring, greater use of trigger warnings, Oberlin College tabled the proposal. And many inside and outside academia have brought more attention to trigger warnings not by endorsing them but by debating their usefulness; the official position of the American Association of University Professors, for example, is that trigger warnings are a “threat” to academic freedom. But Chait doesn’t tell his readers that.
Worse still, Chait doesn’t seem to know what trigger warnings are. He writes, “Trigger warnings aren’t much help in actually overcoming trauma -- an analysis by the Institute of Medicine has found that the best approach is controlled exposure to it, and experts say avoidance can reinforce suffering.” I don’t use or support trigger warnings, but at least I know what they are. Take, for example, historian Angus Johnston’s trigger warning:
Course Content Note
At times this semester we will be discussing historical events that may be disturbing, even traumatizing, to some students. If you ever feel the need to step outside during one of these discussions, either for a short time or for the rest of the class session, you may always do so without academic penalty. (You will, however, be responsible for any material you miss. If you do leave the room for a significant time, please make arrangements to get notes from another student or see me individually.)
If you ever wish to discuss your personal reactions to this material, either with the class or with me afterwards, I welcome such discussion as an appropriate part of our coursework.
That warning describes not avoidance, but “controlled exposure.” Also, a search of the Institute of Medicine’s Web site turned up no discussion of or position on trigger warnings in classrooms, and their analyses of how to handle trauma concern clinical standards and settings, not those of the classroom.
Chait’s cursory treatment of microaggressions is similarly inaccurate. (Trigger warning: bad generalization ahead.) He writes, “There is a campaign to eradicate ‘microaggressions,’ or small social slights that might cause searing trauma.” Though there is debate about what microaggressions are and how much impact they have, to call them “small social slights” erases the context. African-American students are still underrepresented at many colleges and universities, and students of color report feeling racially isolated and even misled by university recruiting materials, an isolation exacerbated by microaggressions that highlight it. That isolation isn’t simply the same isolation that all students feel on moving to a new place; some research suggests that microaggressions can impact academic performance negatively.
The diminishing of microaggressions to “small social slights” is deeply ironic, given Chait’s tendency to use hyperbolic cliché; in addition to examples I’ve already noted (the ivory towering presence), his version of political correctness “has bludgeoned” even its supporters. Chait wrote for the student newspaper while at the University of Michigan in the early 1990s. In a campus controversy about a display by videographer Carol Jacobsen, Chait “was attacked for writing an article for the campus paper defending the exhibit.” The nature of the passive-voice attack is unclear. Did people disagree with the argument? Did they criticize Chait himself? Was his apartment door vandalized as Omar Mahmood’s was? Given the common use of “attack” to describe any verbal disagreement (paging George Lakoff), I’m inclined to assume until further notice, in Chait’s case, that “attacked” is hyperbolic.
Position, Culture and Subculture
I’m familiar with right-wing denunciations of academe, so much so that I tend to ignore them. The weather is the weather. But when a self-described liberal adopts a right-wing critique but treats his as distinct, I take notice. Position matters. “I am white and male, a fact that is certainly worth bearing in mind,” Chait writes. I quote that here because it’s also true of me: I am white and male, which is worth bearing in mind. Also, I’ve been a student or teacher in universities every year except one since 1996. I mention that because it’s just as meaningful, which is to say meaningless, as one of Chait’s anecdotes:
Indeed, one professor at a prestigious university told me that, just in the last few years, she has noticed a dramatic upsurge in her students’ sensitivity toward even the mildest social or ideological slights; she and her fellow faculty members are terrified of facing accusations of triggering trauma -- or, more consequentially, violating her school’s new sexual-harassment policy -- merely by carrying out the traditional academic work of intellectual exploration. “This is an environment of fear, believe it or not,” she told me by way of explaining her request for anonymity. It reminds her of the previous outbreak of political correctness -- “Every other day I say to my friends, ‘How did we get back to 1991?’ "
I don’t want to diminish the anonymous professor’s feelings, but it’s appalling that Chait treats that interview as evidence. I’m also at a prestigious university, though I’m a lecturer unprotected by the tenure track. Maybe I’m attending the wrong meetings and missing out on fearful powwows, but the fear she describes isn’t something I’ve come across.
And it’s not that I’m ideologically or behaviorally pure: I’ve misspoken and said ignorant things and probably will in the future. When called on those things, I’ve rethought my position, and I’ve apologized. In each case, I’ve learned something. Maybe that anonymous professor’s anecdote is entirely accurate in describing how she feels, but it’s also possible that she’s not noticing a new upsurge but is more attentive to an old trend. Ultimately, what she says is nothing more than an unverifiable, context-free anecdote.
Just one counterexample to the culture Chait creates for his readers: in a first-year writing seminar, I taught Denis Johnson’s remarkable novella Train Dreams.Set in the early 20th century, the story begins with a group of white laborers attempting to throw an Asian laborer from a bridge for allegedly stealing from company stores. The third-person narration, which borrows the main character’s diction and syntax, repeatedly refers to the Asian laborer as a “Chinaman.” During in-class discussions, the students used the word “Chinaman” as they spoke. They didn’t recognize it as a slur, nor were they discussing it as a particular use of language. Notably, when I drew attention to their use (too late, I confess, even though Walter Sobchak from The Big Lebowski echoed in my head: “Dude, ‘Chinaman’ is not the preferred nomenclature”), the Chinese-American and international students from China said they hadn’t known it was a slur. I apologized for my slow response, but the students seemed to think it didn’t matter.
I don’t tell that story because I think students are oblivious to language use or that language use isn’t at times angrily contested on campuses; obviously, language use is often contested. But to describe arguments about language use as a movement that’s created an overwhelming culture of fear falls apart when you examine the evidence and Chait’s approach against context.
Back to positionality: we should always be mindful of that. My position -- as a white male, as a lecturer, as a colleague -- matters, not because the university is the bastion of a movement of political correctness, but because all cultures and subcultures have social norms and restrictions on speech and ideas, norms and restrictions that often vary depending on race and gender, as well as one’s position within a given institution. Plus, institutions have histories we have to attend to and, in some cases, rectify. Every publication Chait has ever worked for, every organization he’s ever been part of, formal or informal, has restricted acceptable discourse; over time, those restrictions have changed. What Chait sees as an “outbreak” of political correctness (P.C. was, earlier, in “remission,” so there’s that illness metaphor again; paging Susan Sontag) is actually one among many long, ongoing debates about how we can and should use language. Some of these debates occur inside the university; but they also occur well beyond the university, and daily, and always have.
Ultimately, Chait’s distorted portrait of the university isn’t meaningless or separate from his depiction of liberalism and the left; it’s important to his distortion of American history, one that’s widespread. To close his essay, he writes, “The historical record of American liberalism, which has extended social freedoms to blacks, Jews, gays and women, is glorious. And that glory rests in its confidence in the ultimate power of reason, not coercion, to triumph.” In his invocation of glory and “the ultimate power of reason,” the prose purples. To be honest, I wish I agreed that reason triumphed. But if Chait thinks the historical record of liberalism is one in which reason stands champion, I’d advise him to do some reading. Maybe he should return to school.
Charles Green teaches writing as a lecturer at Cornell University.
I hate my hair. Really. It refuses to behave. I try brushing it into submission, but it refuses, springing out from its confinement in hair band and bobby pins. I hate my roommate more. Why is she sick? Now I have to go interview Dr. Christian Black for the school paper and I am too nervous and scared of him to even begin to make sense.
Everyone knows about Dr. Black. He is the youngest Ph.D. in philosophy from Harvard, graduating at 24 with distinction. Now at 29 he’s at the top of his game, an endowed professor teaching social theory here at Anonymous U. And he’s rich, too. They say he has his own private helicopter pad on the top of his penthouse apartment.
Who am I to interview him? Sure my name, Anastasia Irons, makes me sound like a princess, but I’m just the daughter of a lumberjack and a secretary. It’s crazy that I even got into AnonU and even crazier that I majored in Social Theory.
I mean, Social Theory is for intellectuals. People who have time to sit around and think deeply about the sort of post-Marxian reimaging of capital done by the likes of Pierre Bourdieu. I’m just a poor girl from the backwoods who works at the local hardware store and is too skinny to be anything but a guy’s best friend.
Speaking of best friends, mine is José, who is poor, too. And not white. That’s not important, but I’m not going to marry him, even though he’d like to marry me and our fathers are best friends. But as Bourdieu says, class classifies and it classifies the classifier and my racial and social capital just hasn’t given me a “taste” (in the Bourdieuean sense) for a poor Latino. I’m going to marry a prince, someone rich and white who will sweep me off my feet.
Just kidding. Of course a modern-day girl like me doesn’t believe in fairy tales. I’ve read my Eva Illouz. I know that “love hurts” and the trope of modern romance is irony.
Oh shoot, I’m late. I have to be at Mr. Black’s office in five minutes.
I arrive, panting, a flush on my face. Mr. Black’s secretary, a perfectly dressed blond with well-behaved hair, ushers me into his waiting room and asks if I would like some water or a paper towel to wipe the perspiration off my face. I want to disappear. Why did I sprint across campus?
“Ms. Irons? Come in,” says a voice as smooth and velvety as a panther. I look up to see the most beautiful man I have ever encountered. His eyes blacker than black. His hair a golden brown swept back from his brow. And his lips, oh, those kissable lips, full and red and pulled into something between a sneer and a smile.
I walk across the room, trying not to tremble in his gaze. I move past him and electricity circulates between our bodies.
And then I trip, flat onto my face.
Mr. Black reaches out his arms, trying to break my fall, and our bodies are pressed together. It is more than I can take. I let out a gasp.
Mr. Black’s apartment is everything cold and sleek and modern. It is bereft of clutter. White walls, abstract paintings, utilitarian light fixtures more suitable to a theater than a home.
I sit on the white leather couch, nervously chewing my lip and looking up at him.
“Ms. Irons,” he says, “if we are going to go any further with this relationship there is something I need you to sign.”
He hands me a contract.
I look at it.
The submissive will only touch the sacred objects when instructed to do so.
The submissive will refer to the dominant as Dr., Sir, Professor, or Herr Doktor at all times.
The submissive will stay thin, pale and trembling at all times, awaiting the dominant’s touch in order to truly understand her desires.
There was more.
“This is sexist!” I throw the contact on the ground, petulantly, like a small child.
“Careful, Ms. Irons. If you act like a child, you might get treated like one,” he says, a sharp edge to his otherwise sexy voice.
“What does that mean?” I ask, a tingle running along my spine.
“If you sign, I’ll explain everything,” he purrs.
I sign. What choice did I have?
I’m kneeling on the floor before him. I have never felt more afraid and more excited.
“So,” he asks, “what do you think of my secret?”
His secret, his secret room, his read room of pain(ful) abstract thought.
“Can I touch it?” I ask, stretching out my fingers toward what lies between his hands.
Ouch, that hurt.
“No, you cannot touch my 1939 German edition of Norbert Elias’s The Civilizing Process,” he snarls.
Suddenly my arms are pinned over my head. He snaps the handcuffs shut and takes the key and puts it into the pocket of his faded jeans. Oh, the beauty of his body, the loose jeans, his eight-pack abs, his alabaster skin.
“You have no idea how valuable this is. Without this book, Foucault would never have written Discipline and Punish!” he says as he rubs a 1975 original edition of Surveiller et punir over my quivering body.
“Please, Herr Doktor. Professor. Sir?” I moan, unable to contain my desire to get my hands on all the beautiful books around me, the Zizek, the Butler, the Derrida. Oh, the Derrida.
The next morning as I walk across campus, what should be the walk of shame transforms into something that makes me glow from the inside out. Oh, the read room of pain(ful) abstract thought. My beautiful lover’s dirty little secret. And now my dirty little secret, too. I can’t wait to go back.
Laurie Essig is associate professor of sociology and gender, sexuality and feminist studies at Middlebury College.