The poster session is an important but usually humble component of an academic conference -- though you’d never know that from a promotional video for one held at the University of Oxford this month. The clip looks like the trailer for a sci-fi Hollywood blockbuster. The name of the conference, Force 2015, sounds like one, too.
Besides its snappy acronym, the Future of Research Communication and e-Scholarship group (“a community of scholars, librarians, archivists, publishers and research funders”) has a manifesto offering a comprehensive vision of post-Gutenbergian intellectual life. Issued in 2011, it forecasts “a future in which scientific information and scholarly communication more generally become part of a global, universal and explicit network of knowledge; where every claim, hypothesis, argument -- every significant element of the discourse -- can be explicitly represented, along with supporting data, software, workflows, multimedia, external commentary and information about provenance. In this world of networked knowledge objects, it would be clear how the entities and discourse components are related to each other, including relationships to previous scholarship; learning about a new topic means absorbing networks of information, not individually reading thousands of documents....”
The new Web site 101 Innovations in Scholarly Communication may not have been intended as an interim report on how that future is shaping up, but it has the features of one even so. It’s the online complement to the Force 2015 poster of the same name, prepared by Jeroen Bosman and Bianca Kramer, both from Utrecht University Library in the Netherlands. (Bosman is the subject librarian in the geosciences; Kramer, in the life sciences and medicine.)
The most striking element of both the poster and the site is a multicolored circular chart that looks something like a zodiac or gaming wheel. (See bottom of this article for a larger version than appears on top.) It flashes by in the opening seconds of the aforementioned video, too fast for the viewer to notice that it is divided into six sectors: discovery, analysis, writing, publication, outreach and assessment. There are little logos in each, representing digital tools and products. You find the Google Docs icon in “analysis,” for example, and Zotero in “writing,” while academia.edu appears in “outreach.”
It’s the Great Cycle of Research Life, so to speak -- beginning with, and ever returning to, the zone marked “discovery.” It would be possible to argue with how sequential the process is in real life, and I’m not persuaded that some of the icons fit perfectly into their assigned slots. But another element of the chart’s design adds to its value by conveying the pace of change. The circle actually consists of concentric circles, marking off five-year intervals between 2000 and 2015. The location of an icon indicates when it came into use, with a very few, in the chart's core, having been around way back in the 1990s.
After contemplating the 101 Innovations mandala for a while, I contacted the site's creators in hopes of understanding its mysteries. At a poster session, there’s usually someone around to explain things only implicit in the poster itself, which can otherwise be puzzling.
That’s true especially of the diagrams making up the site’s “workflow pages.” Each resembles an extremely simple flowchart: a series of boxes, representing the six phases of research, with various logos plugged in. (Rather than endure a thousand words of description, just go have a look.) The charts also had labels such as “traditional” and “innovative.”
The parts each made sense, but the whole seemed opaque. Kramer elucidated things in an e-mail discussion, with some of her responses prepared jointly with her collaborator, Bosman. The site represents the tip of an iceberg: they have collected a database “contain[ing] details of some 15 attributes of over 400 innovative tools and sites,” most of which didn’t make it to the poster or Web site. “We are curious [about] the range of innovation,” they told me, “not the entire range of products per se.”
My best guess had been that the workflow charts might have been intended as recommendations of how researchers could combine the available digital tools. That, it turns out, was wide of the mark. The charts are heuristic rather than prescriptive.
“None of the workflow charts are meant as templates for researchers to adopt,” Kramer and Bosman explained, “more as primers for them to think about the tools they use and the type of workflow that best characterizes the way they work.” The charts provide “a starting point for discussions with researcher groups, such as graduate students, postdocs and faculty,” in order to determine existing practices and developing needs.
The goal is to elicit users’ “reasons for choosing specific tools -- what factors influence their decisions to switch to new tools and incorporate them” in their work. “[W]e plan to have a closer look at the coverage of digital humanities tools in our database, and look at disciplinary variations in our interpretations of most important developments, opportunities, etc.”
Bosman and Kramer also developed a typology of scholarly workflows, ranging from the neo-Luddite to the way-early adopter. “[W]e defined 'traditional' as a type of workflow that essentially would not have altered much from that of the print age, ‘modern’ as making use of online tools that enable researchers to consume information/functionality (roughly Web 1.0), ‘innovative’ as using more recent tools that enable online discussion, collaboration and active contribution (roughly Web 2.0) and ‘experimental’ as using tools that are currently being developed and have yet to establish themselves (‘bleeding edge’).”
The charts mention “virtual suites,” with no explanation. That turns out to be a reference to the shape of things to come: integrated packages of tools covering every stage of the research project, from brainstorm through the publication of scholarship and the archiving of data.
“My impression,” wrote Kramer, “is that publishers/organizations are working more and more towards providing tools for all stages of the workflow, and will probably start marketing them as such in the future. It is of course up to any individual researcher to decide whether she/he would want to use such a suite in its entirety, but it seems to be to the benefit of the publisher to offer the possibility, and convince institutions to buy into the whole package deal. Such developments would encourage siloing of workflows, with potential limited interoperability with other tools and thus lock in to a specific publisher/organization. This is not necessarily a good thing.”
Agreed. The next step would be for researchers to sign over their own brains to the company providing the suite, which seems like carrying the principle of intellectual property altogether too far.
“On the other hand,” Kramer pointed out, “we found that many new tools have been developed by researchers at the Ph.D./postdoc level (interestingly, many of them biomedical or bioinformatics scientists) who are frustrated with the current solutions available to them. Another trend we observe is that once these innovations prove useful and popular, they are often bought by large publishers.”
So in the foreseeable future “there will remain a mixture of new, independent innovations and consolidation of existing tools, often in a publisher's ‘suite.’”
The alternative would be a large-scale return to paper and ink. Some of us wouldn’t mind, but nobody should count on it.
Shakespeare penned All the world’s a stage / And all the men and women merely players for Jaques, that greatest of cynics among all the characters in all his plays. Touchstone may be the Clown in As You Like It, but Jaques is the fool. He opines that every man enacts seven roles throughout a lifetime: infant, student, lover, soldier, justice, pantaloon, and second childishness, followed by oblivion. I risk playing the greater fool here by attempting to extrapolate from his analogy: All the world’s a classroom / And all the emeriti and emeritae merely players.
Most college teachers enact four roles throughout a professional lifetime. I don’t refer to the four ranks of career advancement — up the formal ranks to full professor/ I refer to a progression of relationships between professor and student. Ranks and relationships measure different kinds of development. Ranks are professional; relationships are personal. Ranks are institutional; relationships are organic. Ranks are rewarded; relationships are rewarding, at least potentially so. The Four Ages of a Professor — I’m in the fourth now -- are older sibling, friend, parent, and grandparent. (I first heard these categories in conversation with John M. Phelan, professor emeritus in media studies at Fordham University, and I use them here with his permission.)
To play the role of Older Sibling one needs to have begun teaching at a comparatively young age, not much older than the students themselves. Older sister and older brother are conventional characters in a familiar societal script, even for a person who has never played either one biologically. A young professor’s first relationship with students, especially if that experience is while still a graduate student, is that of older sibling, deriving from their proximate ages, but not solely from that. It derives, too, from there being so few other roles on offer. Bigger, more prestigious, parts may open up later (e.g., senior mentor, disciplinary historian, methodological expert, or recognized authority within a particular field), but these are rarely available to the novice.
Young professors and their students share a generational familiarity, possessing common knowledge and similar experience. They are likely to speak the same vernacular, listen to the same music, and view the same videos. As well, they probably use the same technologies and participate in the same social media. They share a familial shorthand that is both inclusionary and exclusionary. Their code is inbred naturally, while it must be learned fitfully, if at all, by others.
The role of older sibling presents many opportunities for teaching and learning that will never return again, no matter how long a career may extend. Older brother and sister are uniquely suited to initiate younger siblings into family ways and mores, values and traditions, taboos and penalties. The cultural norms of higher education are a young professor’s hand-me-downs, becoming the student’s dress-for-success. A conspiracy of kinship can reveal the secrets of preparation and research, practice and repetition, rubrics and metrics. Sibling intimacy teaches rites of initiation much more effectively than can parental authority.
There are dangers, too, in the First Age of a Professor. The power associated with birth order may degenerate into authoritarianism. Younger siblings recognize abusive overreach immediately and are likely to respond by banding together in defiant self-defense. Domination by an older sibling incites resentment. Supportiveness, on the other hand, inspires gratitude, even admiration.
The First Age of a Professor accords educational possibilities that ought not to be missed. Unlike the sibling relationships in biology, which last a lifetime, those in pedagogy are short-lived. Soon enough, a young college teacher will have to leave them behind.
The Second Age of a Professor begins when identification morphs into friendship. Being a friend is the most complex connection a professor can make with a student. It’s also the most fraught. Delights abound; so do temptations. Authority blurs; so may boundaries. Mentorship emerges; so can intimacy. In the extreme, this last can cross professional, legal and ethical lines. Friendships with students develop during the most stressful years of a young teacher’s life, namely, the probationary period leading up to tenure.
The professor as friend, as with older sibling, presents unique opportunities for teaching and learning. Hallway exchanges democratize classroom hierarchies. Cups of coffee encourage free-flowing conversations. Critical vocabulary pops up in co-curricular discussions. Intellectual themes blend with departmental gossip. A professor may befriend undergraduate and graduate students alike, the latter group multiplying contexts for interaction. Evening seminars spill over into social settings. Personal conversation inflates into critical dialogue. Squeezing the extra chair into an office allows for group interaction, as well as one-to-one consultation.
The interests of professor and student are not identical, of course, but they are analogous. The student wishes to produce a video that will go viral on YouTube. The professor wishes to produce a scholarly article that will generate a wide readership in print. Students wish to accumulate likes on Facebook. Professors wish to accumulate kudos in peer review.
Most friendships, whether inside or outside the academy, involve a measure of self-disclosure. Students need a sympathetic listener. Professors, too, benefit from a student sounding board, especially when conversation with colleagues becomes awkward during the year of tenure review.
After receiving tenure, oddly and abruptly, friendship itself gets promoted into parenthood, the Third Age of a Professor. Friendships needn’t end, to be sure. Many survive for years, even decades, after a student’s graduation and a professor’s retirement. Still, tenure changes things in unforeseen ways.
With tenure, one begins to feel like a full-fledged faculty member, assuming, along with departmental colleagues, a co-parenting authority. This does not apply solely to relations with students. It translates, also, into proprietorship over course curricula, degree requirements, and governance procedures. The newly tenured professor is expected to take on a more public persona within the discipline, stand for elected office within a professional association, perhaps, or become the editor of an academic journal.
Like all parents, tenured professors set the rules, control the resources, distribute the rewards, and dole out the punishments. Most consequentially, they become narrators of the family’s story — casting its roles, orchestrating its plots, underscoring its themes, and targeting its audiences. They enjoy access to influential committees, central administrators, and disciplinary gatekeepers. In departmental governance, they have a vote like everybody else, but they also expect a say.
Tenured faculty members shoulder a parental responsibility for a department’s success or failure (i.e., its internal and external reputations). They influence departmental hiring, faculty assignments and, ultimately, the awarding (or not) of tenure and promotion. In other words, parent is the most powerful role accorded to a faculty member throughout an academic career. It’s the longest in duration, too. The obvious downside to this age is its nearly unavoidable presumption of entitlement that can undermine collegiality, especially with junior colleagues.
The Fourth Age of a Professor is that of grandparent. The divide between parent and grandparent is generational, naturally, but its transition cannot be marked by a specific date. It is felt more as an emotional realignment resulting from the upward push of an oncoming generation of faculty members. One isn’t being pushed out necessarily, but one is certainly being pushed up. This is a good and necessary thing in order to accommodate change.
Grandparents teach differently than parents do. The professor-as-grandfather or professor-as-grandmother feels a warm enthusiasm for the intellectual growth of students. One is less judgmental, less harried, and less hurried. This more relaxed attitude may manifest in various ways, not least being higher grades.
Think of a youngster learning to ride a bike. An older sibling instructs. A friend criticizes. A parent pushes from behind and then, at some unexpected moment, lets go. Grandparents, on the other hand, approach the problem from another perspective, closer to that of a cheerleader. “You can do it. You can do it. I know you can.” Verbal enthusiasm may be just the thing to inspire confidence and boost achievement.
Non-judgmental encouragement aids in the acquisition of knowledge and skills. A pat on the back assists in the mastery of difficult vocabulary associated with unfamiliar theory. A few students may take advantage of what they perceive to be a professor’s laissez faire vulnerability, but their number is surprisingly small. Most will be grateful for the increased self-confidence. This will be helpful as they proceed through their education.
The smart grandparent, regardless of family, stays out of a parent’s way. In a university setting, this may mean giving up a favorite seminar, stepping aside from a powerful committee, or saying "no" to another term as department chair. Such opportunities belong to the next generation and are no longer one’s responsibility.
My analogy to Shakespeare’s Seven Ages of Man is inexact, of course. I have passed over, for instance, Jaques’ final pronouncement about oblivion. The Four Ages of a Professor — older sibling, friend, parent, and grandparent — come replete with their own rewards that go far beyond the satisfactions of emeritus or emerita status. The fulfilling relationships of a long career, especially those with students, will provide whatever succor a professor can find against oblivion.
James VanOosting is a professor and writer-in-residence at Fordham University. He has published 10 books and many articles.
In 2012, Jessica L. Beyer received the Association of Internet Researchers award for her dissertation, “Youth and the Generation of Political Consciousness Online,” now been published as Expect Us: Online Communities and Political Mobilization (Oxford University Press).
The author, now a research scientist at the Information School at the University of Washington, spent several years monitoring and in some cases participating in a number of online communities which, though non-political, sometimes engaged in political discussion. Her analysis focuses on four sites. In two cases, the political concern led to offline activity, including the creation of parties that have won elections. At the other two sites, the conversation never made the leap to mobilization. Beyer’s study is series of ethnographies of the miniature social orders emerging at the sites, in search of the factors that generated or inhibited activism.
“Once I had chosen to study social sites,” Beyer explains in a long postscript on research methodology, “I had also chosen to study young people.” There’s an implicit “of course!” hovering over the remark – and fair enough, given that she did her digital fieldwork in the late ‘00s. But social sites have greyed somewhat in the meantime. Beyer’s perspective on “the generation of political consciousness online” may well apply to a broader demographic by now.
One of the sites in question enabled file-sharing, primarily of music and video, while two others were devoted to online gaming. The driving interest of a fourth cohort, the group known as Anonymous, seems harder to identify, though Beyer pins it down as well as seems possible by calling it “the nihilistic pursuit of entertainment, referred to as ‘lulz.’” Major sources of lulz (an idiom derived from an acronym: it’s the plural of LOL) include trolling, hoaxing, hacking, and “breaking s[tuff]."
The readerly appeal of ethnography usually comes from its attention to the details of everyday behavior and interaction taken for granted within a subculture. And that’s certainly true in the case of Anonymous, which -- like the Droogs in A Clockwork Orange -- has its own tightly self-encapsulating argot and code of conduct. The file-sharing and online-gaming communities also have specialized lingos and accepted norms, just as a stamp-collecting club might develop. But with Anonymous the markers of in-group status are much more sharply defined. Beyer understands this peculiarity to be a function, in part, of the design of the discussion forums that gave rise to Anonymous. Participants are never identified, even by a pseudonym, and venues do not have archives.
Because distinct identity is obliterated, “users assert their membership status in different ways,” writes Beyer. “To signal they are community members, users must use an extremely dense lexicon; show familiarity with community jokes and stories (signaling knowledge in a very particular way); articulate community values both directly and in the ways in which they frame conversations; and adhere to community norms of anonymity in all interactions, even when telling personal stories (e.g. ‘my math teacher is so stupid….’). Because of these norms of behavior, although the space is technically ‘anonymous,’ outsiders are easily spotted.”
While providing optimal conditions for digital hooliganism, these conditions would also seem to make political mobilization impossible – or, for that matter, completely irrelevant. (Misanthropic individualism tends to preclude any idea of the common good.)
But in 2008, the Church of Scientology forced a number of websites to take down the leaked video of a giddy Tom Cruise discussing his super-powers, and Anonymous responded with a campaign of attacks on its sites, accompanied by a memorable video of its own declaring war on Scientology. Faced with an angry swarm of unidentified and unidentifiable hackers, Scientology’s longtime strategy of litigation against its opponents was of no use. Members of Anonymous then joined forces with longtime critics of Scientology, many of them ex-members, to launch a worldwide series of protests outside its buildings which have continued, on and off, ever since.
Likewise, Pirate Bay, the file-sharing entity originally based in Sweden, took on the motion-picture and recording industries through street protests as well as its online activity. In 2006, it spawned a Pirate Party calling for the abolition of copyrights and patents and respect for privacy. By the end of the decade it was the fourth largest party in Sweden (with, Beyer notes, “the largest youth membership as well as the largest youth organization in Sweden”) and held two seats in the European Parliament. There are now Pirate Parties in at least 40 countries, with candidates elected to hundreds of offices at various levels of government, riding waves of discontent with intellectual property laws and surveillance.
Pirate Bay and the Pirate Parties share an ethos while remaining distinct. File-sharers can be anonymous, but not electoral candidates. While the original site administrators gave the political movement some direction, legal actions attempting to shut down Pirate Bay forced it to build anonymity into its very structure: it operates through a network of servers dispersed over an unknown range of countries, with no individual or group knowing more than a little of the system.
So anonymity, however counterintuitive this may seem, was a major factor in enabling the communities around two sites to move towards real-world activism. By contrast, the other two formations Beyer studied -- the game World of Warcraft and an online discussion-board system called the Imagine Gaming Network – required users to register and regulated their speech and behavior in ways that, she says, “undermine[d] collective group mobilization.”
Her account of how the layout of the different sites and the way they conditioned the degree of participants’ visible identity reveals a number of interesting contrasts – particularly between World of Warcraft, in which creation of an identity is part of the game, and the milieu of Anonymous, in which doing so is effectively impossible. On the gaming sites, in Beyer’s analysis, people are able to form smaller groups defined by shared interests or beliefs; they never reach the critical mass needed for mobilization in the offline world.
Perhaps, but other differences bear mentioning. Both WoW and IGN.com are commercial enterprises which exist strictly for entertainment. Individuals drawn to Anonymous or file-sharing through Pirate Bay are looking for entertainment too, of course. But they do so in ways that violate – or at best skirt – legal norms.
A gathering of stamp collectors might well include members also interested in international affairs. But no matter how passionate their discussion may become, they aren’t likely to be able to mobilize them on non-philatelic matters. I suspect gamers sites resemble the stamp collectors. They aren’t engaged in something that challenges any powers-that-be -- while Anonymous and the Pirates are, and wave a flag while doing it. Beyer's case studies are interesting, but her findings not entirely unexpected.