Review of Kate Brown, "Dispatches From Dystopia: Histories of Places Not Yet Forgotten"

In coining the word utopia, Thomas More was making a pun. The villain of Wolf Hall was, in real life, a learned man who wrote for people who could recognize a joke in Greek when he made one. The island republic of social perfection depicted in his most famous book was a good place (eu-topia), obviously. But it existed only in the imagination: it was also, literally, no place (ou-topia).

Alternating currents of optimism and skepticism crackle in the space between syllables. The ambivalence vanishes with “dystopia,” which, like dysentery (“bad bowels”), has nothing to recommend it. But there is more to dystopia than has been encoded in its etymology. The word usually implies utopia’s evil twin: a social order of perfect oppression, designed to bring the greatest misery to the greatest number.

The places Kate Brown writes about in Dispatches From Dystopia: Histories of Places Not Yet Forgotten (University of Chicago Press) are not all examples of hell on earth, by any means, but each bears the scars of some catastrophe that the visitor is bound to know about before arriving: the ghost town of Chernobyl, for example, or the basement of a hotel in Seattle full of the belongings of Japanese-American residents relocated to internment camps during World War II. The author introduces herself as “a professional disaster tourist,” though her day job is as a professor of history at the University of Maryland, Baltimore County. Her two previous books grew out of research on Russia and Ukraine during the Soviet era. Dispatches From Dystopia pursues many of the same interests while also working reflexively to consider the genres available for writing about place and memory: professional historiography, of course, but also personal narrative and travel writing.

“Many writers presume that the site of action is a given,” she notes, “as if places were neutral containers of human interaction rather than dynamic places in their own right.” At the same time, scholarly prose is often written from the vantage point of the proverbial “man from nowhere.” Make that “person from nowhere,” rather -- anyway, a voice that, while not omniscient, remains as rigorous and impersonal as possible.

“In their quest to explore the human condition,” Brown writes, “historians can hide behind their subjects, using them as a scrim on which to project their own sentiments and feelings. Let me put that another way: in my quest to explore the human condition, I have hidden behind my subjects, using them as a scrim on which to project my own sentiments and feelings. The third-person voice is a very comfortable one in which to reside. Permanently. The intimacy of the first person takes down borders between the author and the subject, borders that are considered by many to be healthy in a profession that is situated between the social sciences and the humanities.”

Such intimacy brings the potential for extreme embarrassment. Brown prefaces the lines just quoted by saying that her hands are sweating as writes them. Her early ventures into first-person scholarship met with resistance, expressed in well-meant warnings such as, “You won't get a job with that dissertation” and “Other scholars will assign you, but not cite you.” Which is understandable, because other risks besides personal and professional awkwardness can follow from experimentation of the kind Brown undertakes. The existence of “borders between the author and the subject” at least reduce the dangers of twee memoir -- and also of prolonged metaepistemic inquiry (how can the knower know the knower, much less the known?) that scorches the earth with tedium.

So for the first several pages of Dispatches From Dystopia I braced myself, only to find that Brown is the rare case of someone who can incorporate a number of registers of narrative and reflection within the same piece of writing, shifting among them with grace and quiet confidence. Her essays might be called position papers: topographical surveys of historical sites, with the mapmaker’s own itinerary sketched in.

The trips to erstwhile Soviet republics are not, she makes clear, a search for roots. A product of “the industrial heartland of the United States at a time when it was the world’s most prosperous and powerful country,” she is unaware of any German, Jewish or Slavic branches to her family tree: “I could hardly have been born farther from rural, famished, collectivized, heavily politicized, bombed and terrorized Right Bank Ukraine” -- the subject of her first book -- “a place that stands in my mind as the epicenter of 20th-century misery.”

But another essay suggests the advantages of this presumed naïveté. People she met granted the author a place in post-Soviet society “as an honorary child…. If I accepted this role passively, relinquishing my status as an autonomous adult and the critical rationality of a researcher, they often let me in, if fleetingly, for a closer look. By becoming childlike -- susceptible, disabled and dependent -- I became a temporary member of their community, which in the Soviet Union was defined by an understanding of biological vulnerability, mutual interdependence and obligation.”

Other expeditions require different personae. Her trip to what’s left of the city of Chernobyl elicits another kind of identification with people who have been there. Expecting a scene from opening days of the Gorbachev era -- irradiated but frozen in time -- she finds that everything that can be sold has been hauled off to market: “Even the knobs on the kitchen cabinets were gone. Even the time capsule schoolchildren buried in the 1970s had been looted. (I know because I was hoping to dig it up and loot it myself.)”

Brown’s first-person reflections are embedded in narratives and place descriptions that are more intricate and varied than a reviewer can even begin to suggest, and certain issues and motifs link the essays in ways that would probably reward a second reading. Each piece, like the volume as a whole, is an example of nonfiction that uses the first person, rather than just indulges it. The learned essay and the personal essay are different creatures and attempts to create a hybrid are often problematic at best. But Dispatches From Dystopia proves it can be done.

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Academics should not stop writing (essay)

Ulf Kirchdorfer regrets that too many of his academic colleagues don’t write, and offers ideas on how they might.

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Essay on what to do when you are told you are not a team player

Dear Kerry Ann

Kerry Ann Rockquemore offers advice on how to handle a criticism that many receive on the road to tenure -- and a perception that needs to be faced promptly.



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Essay calls for ending the divide between liberal arts and practical education

With the release of his new book, In Defense of a Liberal Education, journalist Fareed Zakaria became the latest commentator to join the robust debate over whether the purpose of college is to promote professional advancement or personal growth. The debate typically contrasts the self-betterment offered by the liberal arts -- usually meaning the humanities and social sciences -- against the workforce merits of applied disciplines, such as engineering. One side argues that universities ought to nurture educated, complete human beings, while the other calls for marketplace utility. The conversation has long tottered over this line, and there it remains stalled.

But perhaps it’s time finally to advance past the stale juxtaposition of the humanities versus the applied disciplines. After all, is it really the case that one is soft and the other exacting? In many ways, they’re equally complex. And while each proffers distinct rewards, the two sides have much to gain from each other if we move past these entrenchments.

A Common Complexity

Naturally, the study of an applied discipline like engineering is a steep academic challenge. The study of any complex system is difficult. To build a good airplane, biomaterial or computer program, one needs to understand the dizzying intricacies of that object’s composition and context. Materials, environment, the forces of physics, time and logic -- all of these factor into an engineer’s grasp of her subject, and the task of mastering this complexity spurs intellectual development.

Yet the study of human culture and behavior is similarly complex. Just as the hard sciences demand the grasp of intricate systems, so do the liberal arts. In the case of the humanities and social sciences, however, these systems are an elaborate mesh of history, art, geography, biology and economics -- the strands that make up our world’s DNA. Thus, while a civil engineer learns about materials and soil types and local ordinances, a classics student absorbs how the legacy of the Roman Empire shapes everything from the letters we write to the architecture of our buildings and how we structure our water supply systems. This deep contextual understanding weaves through daily life.

To take a concrete example, consider the act of purchasing a gallon of gasoline. An engineer might recognize how the fuel powers her car’s engine, or how oil is extracted from the earth. A liberal arts education, on the other hand, might inform this engineer of the history and meaning of OPEC, the convoluted economics of energy and the context of global warming. She might recall The Nicomachean Ethics and conclude that taking personal responsibility for her actions means she should drive less, or consider how hunger for resources drives civilizations to colonize and conquer. These are obviously not facile mental endeavors.

In terms of rigor, then, it’s certainly the case that the liberal arts can be just as demanding as the applied disciplines. Why, then, is it so commonly believed that an English degree, for example, will leave a graduate trapped in the ivory tower -- or her parents’ basement? 

The reason may be that, in many cases, applied studies feature a strong laboratory or workplace experience, while liberal arts classes are often framed by the traditions of the essay and exam paper. This difference in mode, this boundary between the abstract and the real, may largely account for the conceit that a liberal arts education doesn’t equate to a tangible outcome, or a tangible paycheck. However, liberal arts programs can counter this misperception by reproducing the lessons from engineering laboratories or business school co-op programs and adding an experiential component. By practicing the experiential liberal arts, they would better prepare their students to engage in the world.

The Experiential Difference

What would this look like in practice? Experiential liberal arts would combine the rigor of traditional academics with active participation in workplaces, laboratories or volunteer opportunities -- especially ones in a global context. These real-life elements would heighten students’ motivation, promote practice and self-reflection, promote contextual understanding, and encourage self-direction. In other words, the experiential component would be a vehicle that leads to deeper learning.

For instance, an English major might complete a co-op with a national magazine, applying ideas she encountered in a Technology of Text class to the creation of content for new formats in publishing. In doing so, she would cement academic information into owned knowledge. She wouldn’t merely internalize lessons -- she would live them. Likewise, since many students learn by translating theoretical knowledge into generative action, a philosophy major could parlay a co-op at the United Nations Human Rights Council into a research project on how the global economy is changing the sort of moral choices we face -- for example, making us question the ethics of using electronics built with exploited labor.

To be sure, ensuring that liberal arts students have access to high-quality internships that reinforce their classroom learning requires meaningful engagement between universities and employers. Creating substantive partnerships takes work, but the rewards are mutual. At Northeastern University, for example, one of our undergraduate history majors recently completed a co-op with the U.S. Commercial Service in Mexico, where he applied his content knowledge and research skills -- acquired through liberal arts classes -- to compose a report analyzing plans to expand the Port of Veracruz. His employer then used the analysis to determine whether this $19 billion project should move forward as planned, or with changes. 

Similarly, another undergraduate applied his learning as an English major to design the customer support system and perform financial analysis for a cloud computing start-up firm. “Doing financial analysis is surprisingly similar to doing literary analysis,” he told us. “When you read a poem or a novel, your professor tells you to look between the text and dig as deep as you can to find out everything the author is trying to say. When you’re looking at a spreadsheet of numbers, you’re doing the same thing: What are these numbers trying to tell me?”

The Rewards of Experiential Liberal Arts

Indeed, the marriage of liberal arts skills with experiential learning yields advanced survival skills for the modern era: creative, critical and analytical thinking, deft communication, and the ability to deal with complexity and ambiguity, applying knowledge in unexpected situations. We can’t engage effectively with other human beings -- or institutions, or work assignments -- without these talents. Just as importantly, the experiential liberal arts imparts an appetite for ongoing study, training students to adapt their minds to new learning situations throughout their lives. This is invaluable in an economy that demands that workers make multiple career jumps and replenish their skills on a continuing basis. 

But experiential liberal arts experiences shouldn’t be for liberal arts students only. Context, communication and a capacity for self-directed lifelong learning -- everyone needs these, including students in the applied disciplines. The most brilliant computer scientist has to thrive in the human milieu or risk irrelevance. The most trailblazing biochemical engineer should learn to weigh the social and cultural context of her work. By enhancing their courses of study with relevant content from the humanities and social sciences, programs in the applied disciplines would also better prepare their graduates to engage with the world and succeed in life.

The New Literacy

In fact, what the worn-out juxtaposition of the liberal arts versus the applied disciplines overlooks is that aspects of each are essential for living a full life, both professionally and personally. We wouldn’t say that grade schoolers should choose between learning how to read or how to add and subtract, so we shouldn’t fall into equivalent false choices in higher education. Both domains have relevance, utility and beauty, and both contain critical components of a new skill set -- a new literacy -- that students need if they’re to flourish in modern life and the global economy.

For example, consider analytics, statistics and coding -- three subjects often cited as vital for students to learn today. In many ways, the robust study of each involves drawing from concepts from both the world of liberal arts and the applied sciences. For example, one might integrate concepts from art and design into a course on analytics, so students can transform sophisticated quantitative analyses into elegant, intuitive data visualizations.  Likewise, one might weave lessons from history and concepts in cultural anthropology together with technical instruction in Stata or SPSS to show more deeply how statistics can be used to investigate issues and challenges across a variety of domains.

Imagine how valuable -- and relevant -- an education students would receive if colleges and universities routinely approached the curriculum with this kind of harmonization in mind. Imagine how augmenting it with experiential component would enrich it even further.

Every scientist needs to ponder the context of her work and communicate its meaning; every liberal arts student should wrangle with the revelations of big data. Both applied disciplines and the liberal arts have much to share between them. By bleeding a little into each other, these two approaches to higher education would give every graduate a powerful, marketable education for today’s economy. 

So let’s move past the false dichotomy that characterizes the current debate over the liberal arts and applied disciplines. Better to draw lessons from both, and agree that the most valuable education is one that works.

Joseph E. Aoun is president of Northeastern University.

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Ohio bill would effectively bar faculty unions at public colleges

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Ohio budget bill proposes a ban on full-time-faculty unions at public institutions where professors do nearly anything beyond teaching and research.

Allegedly rude professor agrees to retire in lieu of dismissal hearing

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U of North Georgia professor whom the university intended to fire for a pattern of rude behavior has agreed to retire. Her colleagues continue to debate whether university did the right thing or hurt tenure.

Essay on a long academic job search

A year after Patrick Iber's story of rejection captured so much attention, he offers an update.

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Handbook teaches grammar principles with language from a random day of news

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New book by longtime composition instructor seeks to use real-world sentences to change the way students think about grammar.

Report offers a mixed picture of state of the humanities in 2015

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Annual report on the disciplines acknowledges cuts and challenges, but also sees signs of hope and growth.

Essay on how to reach the Ph.D. dissertation finish line

Lori A. Flores offers tips for getting the thing done.

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