This morning, after a poor night’s sleep punctuated by weird pregnancy nightmares and hourly wakings due to the discomforts of being newly behemoth, I lumbered over to my “office” (aka the other side of my apartment), and, loins girded, prepared to see what the internet beheld. As a freelancer with many different gigs, it’s not uncommon to have to “put out fires” first thing in the a.m., as they say, but this morning, all three rings in the circus of my life conflagrated at once. A potential dissertation-coaching client was unhappy with my original free consult, and I wanted to give my boss a rundown of what went wrong. Then, an urgent email from Germany — some editing work I was supposed to turn in yesterday wasn’t in! Ach, nein! Quick, turn on the German brain, apologize and send in the work, schnell.
Meanwhile, in my most public job, as an education columnist for Slate, I’m dealing with the fallout of my latest piece, which calls into question why the University of California System — which tells its students, faculty and staff it is one giant budget crater — feels the need to give its three “poorest” chancellors $60,000 raises. And, while I prepare to cook up my next column (maybe American academics teaching abroad? I have a friend in Kazakhstan; maybe she’ll let me interview her!), I’m making my editor’s extensive changes on my forthcoming one — with, of course, a turnaround of a few hours at most, as per the conventions of short-form Internet journalism.
All this happened today before I had a chance to eat or pee.
In the midst of what was already a wackadoodle morning, about 70 of my best “friends” linked me to a new op-ed here at Inside Higher Ed, by Cornell writing lecturer Charles Green. The 3,000-word magnum opus betrays a fairly impressive (obsessive?) attention to both my personal blog and certain contributions to my Slate work, and calls into question the research bona fides of my non-academic journalism. Green excoriates the cursory sample sizes and openly informal methodology of two of my recent columns — op-eds both, meaning that it is clear to most readers that what I am writing is indeed, in the words of the great rhetorician Jeffrey Lebowski, just, like, my opinion, man.
He even goes so far as to perform what appears to be a rhetorical exegesis of “Revise and Resubmit,” a roast of the humanities peer-review process done in my usual style, which is a mixture of dark humor, open hyperbole, and cutting truth — and which quotes, yes, a small sample of hilarious tweets about peer-review experiences from my readers, which I culled for their sharpness from a much larger “data set” of about 100.
But yes, the piece exaggerated. Every op-ed I write does. Every sentence I say at home does! My voice has, for better or worse, basically been what it is since my first turn as a columnist at the age of 17 (I appeared bi-weekly in Eugene, Oregon’s paper of record from 1993 to 1994 — kind of a big deal, I know). But it was sharpened in graduate school in a particular vein, as I fell in love with the crotchety Austrians who would come to define my research: Robert Musil, whose over-the-top satire of a bunch of rich drifters also belies harsh truths about the decline and fall of the Austro-Hungarian dual monarchy; the playwright Johann Nepomunk Nestroy, whose untranslatable humor involves saying something that is a massive exaggeration and an unfortunate truth at the same time; Karl Kraus, the patron saint of pithy bile and my personal hero.
Is Green correct that my 1,500-word op-eds (the appropriate length for such a medium, ahem) are not researched with the same rigor as my academic book, which took seven years to write, and for which I am receiving the standard advance of zero dollars? He is. If the 80 or so columns I’ve written for Slate in the past year were submitted to academic journals, they would all be rejected out of hand for their style, tone, and, yes, lack of scientifically perfect data sets.
But, speaking of “limited sample size,” (which itself masks Green’s real critique, which is that my experience in academe is different from his, and thus incorrect), I’d like to point out that Green has done to me precisely what he claims I do to the unfairly-maligned idyll that is the life of the mind (which, unlike me, he has never left, which would explain his unfamiliarity with the conventions of my medium).
In addition to his huff about “Revise and Resubmit,” he also takes issue with “Syllabus Tyrannus,” in which I trace the corporatization of the American university via the encroachment of administrative boilerplate onto once-brief college syllabuses. His main problem seems to be that the editor who wrote my subhead was also a fan of numerical exaggeration. Guilty, I suppose.
And the third and final piece he mentions is “Bring on the Sledgehammer,” in which I simply executed what we jokingly call a #Slatepitch — I took a contrarian stance to a current issue (President Obama’s college-rankings plan), and tried to argue it to the best of my ability. In the wake of that article, I was the first to admit the imperfection of my arguments, and it resulted in numerous productive conversations with readers.
Anyway, what Green conveniently neglects to mention, even with 3,000 words, is the vast majority of my work for Slate, most of which is far more akin to traditional reporting, and much of which has nothing to do with higher education at all (I’m thinking here, of course, of my vaunted German grocery store canon).
Among recent pieces are the following — none of which remotely fit Green’s characterizations:
“The Birth of the #FergusonSyllabus,” which describes the ways in which educators in my hometown of St. Louis and beyond are teaching about systemic racism and police violence;
“Don’t Extinguish the Fulbright,” which was part of a national media push that actually helped save the Fulbright program from a disastrous set of cuts;
“Nasty and Brutish,” which helped break the CU-Boulder philosophy sexual harassment scandal nationally (and brought about my first-ever hate mail from a Neo-Nazi – suck it, “Abraxas88,” whoever you are!);
I am used to people disagreeing with me, often vehemently and directly to my face. I am used to getting kicked around (also, now, from the inside — thanks, kiddo!). I understand that many academics long to write for a larger public audience, and resent the fact that I get to do so, because my experience is not indicative of theirs.
Look, I am as aghast at the modest success of my fourth-act career as anyone else. But here is why I get to do what I do: Readers can sense hedging, equivocation and cowardice from 10 miles away, and they don’t like it. At the same time, those who wish to succeed in academe must compromise what they say in public (the recent Salaita affair is but the most extreme example of the kind of systemic restraint that academia demands). As a result, a lot of “public” writing by academics is self-censored, over-equivocated, bogged down in data analysis, and thus unreadably boring to a non-academic audience. But since I am no longer beholden to some imaginary search or tenure committee, I get to hold nothing back — and that is why I get to be at Slate. If you want anyone to read your op-eds on a mainstream platform, you must take a firm, blunt stance — one that might have to oversimplify a few things for brevity, and one that will bring its share of both support and vitriol.
I guess Charles Green finally hit upon a stance — and oversimplification, though not brevity — that can bring in readers, too. Too bad it came in the form of an ad-hominem attack on a person who never did anything to hurt him, and whose body of work is more complex — and, simultaneously, more banal — than he gives it credit for.
Rebecca Schuman is the education columnist for Slate.
Writing in 1860, a journalist depicted Washington as a miserable little Podunk on the Potomac, quite unworthy of its status as the nation’s capitol. He called it an “out of the way, one-horse town, whose population consists of office-holders, lobby buzzards, landlords, loafers, blacklegs, hackmen, and cyprians – all subsisting on public plunder.”
"Hackmen" meant horse-powered cabbies. "Blacklegs" were crooked gamblers. And cyprians (lower-case) were prostitutes -- a classical allusion turned slur, since Cyprus was a legendary birthplace of Aphrodite. Out-of-towners presumably asked hackmen where to find blacklegs and cyprians.
But sordid entertainment was really the least of D.C. vices. “The paramount, overshadowing occupation of the residents,” the newsman continued, having just gotten warmed up, “is office-holding and lobbying, and the prize of life is a grab at the contents of Uncle Sam’s till. The public-plunder interest swallows up all others, and makes the city a great festering, unbearable sore on the body politic. No healthy public opinion can reach down here to purify the moral atmosphere of Washington.”
Plus ça change! To be fair, the place has grown more metropolitan and now generates at least some revenue from tourism (plundering the public by other means). Zephyr Teachout quotes this description in Corruption in America: From Benjamin Franklin’s Snuff Box to Citizens United (Harvard University Press), a book that merits the large readership it may get thanks to the author’s recent appearance on "The Daily Show," even if much of that interview concerned her remarkable dark-horse gubernatorial campaign in New York state's Democratic primary, in which anti-corruption was one of her major themes. (Teachout is associate professor of law at Fordham University.)
The indignant commentator of 1860 could include lobbyists in the list of ne’er-do-wells and assume readers would share his disapproval. “Lobby buzzards” were as about as respectable as card sharks and hookers. You can still draw cheers for denouncing their influence, of course, but Teachout suggests that something much deeper than cynicism was involved in the complaint. It had a moral logic – one implying a very different set of standards and expectations than prevails now, to judge by recent Supreme Court rulings.
Teachout’s narrative spans the history of the United States from its beginnings through Chief Justice John Roberts’s decision in McCutcheon v. FEC, less than six months ago. One of the books that gripped the country’s early leaders was Edward Gibbon’s Decline and Fall of the Roman Empire, the first volume of which happened to come out in 1776, and Teachout regards the spirit they shared with Gibbon as something like the crucial genetic material in the early republic’s ideological DNA.
To be clear, she doesn’t argue that Gibbon influenced the founders. Rather, they found in his history exceptionally clear and vivid confirmation of their understanding of republican virtue and the need to safeguard it by every possible means. A passage from Montesquieu that Thomas Jefferson copied into his notebook explained that a republican ethos “requires a constant preference of public to private interest [and] is the source of all private virtues….”
That “constant preference” required constant vigilance. The early U.S. statesmen looked to the ancient Roman republic as a model (“in creating something that has never yet existed,” a German political commentator later noted, political leaders “anxiously conjure up the spirits of the past to their service and borrow from them names, battle cries, and costumes in order to present the new scene of world history in this time-honored disguise and this borrowed language”).
But the founders also took from history the lesson that republics, like fish, rot from the head down. The moral authority, not just of this or that elected official, but of the whole government demanded the utmost scruple – otherwise, the whole society would end up as a fetid moral cesspool, like Europe. (The tendency to define American identity against the European other runs deep.)
Translating this rather anxious ideology into clear, sharp legislation was a major concern in the early republic, as Teachout recounts in sometimes entertaining detail. It was the diplomatic protocol of the day for a country’s dignitaries to present lavish gifts to foreign ambassadors -- as when the king of France gave diamond-encrusted snuffboxes, with his majesty’s portrait on them, to Benjamin Franklin and Thomas Jefferson. In Franklin’s case, at least, the gift expressed admiration and affection for him as an individual at least as much as it did respect for his official role.
But all the more reason to require Congressional approval. Doing one’s public duty must be its own reward, not an occasion for private benefit. Franklin received official permission to accept the snuffboxes, as did two other figures Teachout discusses. The practice grated on American sensibilities, but had to be tolerated to avoid offending an ally. Jefferson failed to disclose the gift to Congress and quietly arranged to have the diamonds plucked off and sold to cover his expenses.
Like the separation of powers among the executive, legislative, and judicial branches (another idea taken from Montesquieu), the division of Congress into House and Senate was also designed to preempt corruption: “The improbability of sinister combinations,” wrote Madison, “will be in proportion to the dissimilarity in genius of the two bodies.” Teachout quotes one delegate to the Constitutional Convention referring sarcastically to the “mercenary & depraved ambition” of “those generous & benevolent characters who will do justice to each other’s merit, by carving out offices & rewards for it.”
Hence the need for measures such as the clause in Article 1, Section 6 forbidding legislators from serving simultaneously in an appointed government position. It also prevented them from accepting such a position created during their terms, after they took office. The potential for abuse was clear, but it could be contained. The clause was an effort “to avoid as much as possible every motive for corruption,” in another delegate’s words.
Corruption, so understood, clearly entails far more than bribery, nepotism, and the like – things done with an intent to influence the performance of official duties, in order to yield a particular benefit. The quid pro quo was only the most obvious level of the injustice. Beyond violating a rule or law, it undermines the legitimacy of the whole process. It erodes trust in even the ideal of disinterested official power. Public service itself begins to look like private interest carried on duplicitously.
The public-mindedness and lofty republican principles cultivated in the decades just after the American revolution soon enough clashed with the political and economic realities of a country expanding rapidly westward. There were fortunes to be made, and bribes to be taken. But as late as the 1880s, states were putting laws on the books to wipe out lobbying, on the grounds that it did damage to res publica.
Clearly a prolonged and messy process has intervened in the meantime, which we’ll consider in the next column, along with some of the criticism of Teachout’s ideas that have emerged since she began presenting them in legal journals a few years ago. Until then, consider the proposal that newspaper writer of the 1860s offered for how to clean the Augean stables of Washington: To clear out corruption, the nation’s capitol should be moved to New York City, where it would be under a more watchful eye. Brilliant! What could possibly go wrong?
Like many academics, I’ve almost never left school. The students who occupy my mental energy most are the worst, not the best; the interactions with colleagues I recall most immediately the harshest; the department memos that curdle in my memory are those spiced with typos. Those stories, with the whiff of gossip, earn the most laughs from my colleague-friends.
But those stories aren’t typical. They represent academe like an inset map does a region — sharpening the view of a narrow area set aside from the larger context.
When people outside academe ask me what I do, I skip those stories. Most of my students have gifted me with their intelligence; my colleagues teach and support me. I don’t want to project a naïve, Panglossian optimism about my job or about the current state of higher education, but I try to be careful and honest when I explain my work in academe to those outside it. I know the stereotypes of academe and the real threats to its future: the longstanding and growing right-wing animus against universities as liberal hives that indoctrinate unquestioning drones; the dramatic rise in the cost of higher education; the shift from tenure-protected long-term faculty to underpaid, overworked short-term faculty. (That’s not an exhaustive list.) I sympathize with resistance against academe’s entrenched problems, but when writers misrepresent those, I boil over.
Which brings me to the essays of Rebecca Schuman, an education columnist for Slate. She has a Ph.D. in German studies and a forthcoming book on Kafka, Wittgenstein, and Modernism. Despite those impressive credentials, she left academe and the crumbling job prospects of German studies in 2013, so she’s well-positioned to comment on the real crises in higher education. She even professes, in one essay, “I’m a higher-ed expert.”
While I sometimes agree with her, I think she crafts fundamentally anti-academic arguments, anti-academic in that they rely heavily on unsourced and unsupported generality clothed in hyperbole. While she frames her essays with her expertise and experience, she presents a funhouse image of the academic world as the norm and recreates fabulist stereotypes of the ivory tower gone mad. Ultimately, her writing most often fails to offer substantive critique of academe’s problems and instead offers empty amusement that misleads readers about the world she claims to analyze with expertise.
Her July 15, 2014 essay, “Revise and Resubmit,” exemplifies her anti-academic methods. Most prominently in that essay, Schuman revels in psychologizing straw men, scarecrows who lack not brains but hearts: “Think of your meanest high school mean girl,” she writes, “at her most gleefully, underminingly vicious. Now give her a doctorate in your discipline, and a modicum of power over your future. That’s peer review.” The peer reviewer is a type with easily decipherable, easily dismissed motives.
Yes, Schuman’s being amusingly hyperbolic — I see Regina George and the Plastics of Mean Girls with their burn book, telling lesser academics “Stop trying to make ‘synecdochic heteronormativity’ happen. It’s not going to happen. It’s problematic.” If Schuman’s writing then moved to a more complex, realistic, or data-driven exploration of peer review, I might accept one hyperbolic stereotype — but the psychological profile of straw men predominates her argument. Consider the following:
1) “A thorough vetting of a new piece of scholarship is indeed crucial — but right now, rather than being constructively critical, far too many peer reviews are just cruel for no reason.”
2) “But some articles are just bad! whine the meanies, in a panic that they’ll lose their only consequence-free opportunity to express their professional misery. And yet, you can reject an article without stating, definitively, that its author has no business in the profession. I’ve done it. It’s not even the slightest bit difficult.”
3) “Sure, in an ideal situation, peer reviewers are collegial, constructive experts in the author’s sub-field with a legitimate interest in making an article better. But most situations are far from ideal: The ‘peer’ is actually a put-upon grad student or recent Ph.D., fresh off of seven years of being kicked in the gut and just aching to do some kicking of his own.”
4) “Some journal articles are accepted on their first pass. (I wrote one that was! Will you be the fourth person to read it?) Many more are rejected with extensive commentary, and more still receive a special place in academic purgatory: a directive to ‘revise and resubmit’ according to the referee’s requirements.”
5) “So many readers’ reports can be boiled down to: ‘Why wasn’t this article exactly the one I would have written?’ (Or: ‘Why wasn’t I cited enough?’) Thus, too often, academic peer review is gatekeeping for its own sake, whose chief result is to wound the author as deeply and existentially as possible.”
6) “What we need is an idea that takes advantage of, rather than battles against, academics’ petty self-interest. Luckily, the peers who review your work may think of themselves as above you in every way....”
Each example reinforces the stereotype of the peer reviewer as a petty, miserable, unreasonably cruel, self-interested meanie looking to exact metaphorical violence, a paper villain twirling his mustache. Academics produce with their guts, and they devastate with their guts. Yet somehow Schuman escaped that vicious cycle — it’s an easy stereotype to avoid, and lo and behold, she did!
Consider a different image of the peer reviewer. The job requirements of a tenure-track faculty member put reviewing academic submissions as a distant consideration. If an article submitted for peer review seems poorly written or uninformed, it’s much easier to respond, “The writing is poor” or “the author doesn’t demonstrate a sufficient knowledge of the field” than to offer a much more exhaustive and exhausting response that constructively details the changes needed to develop the essay to publication strength. If a submission (say, 8,000 words) doesn’t demonstrate adequate scholarly work, how likely is it that a single peer reviewer can make suggestions that the writer will use to significantly improve the article? Sneering at the more generous psychological profile I’ve crafted here proves harder, but I think that profile — even limited by generality as it is — more accurately reflects the peer reviewer than Schuman’s central stereotype of a thuggish villain.
One might respond that stereotypes reflect broad truths; however, do Schuman’s stereotypes do so? Based on her evidence, I’d say not. Frustratingly, she combines anecdotes with unsourced assertions of the commonality of the anecdotes she provides, claiming data without support for those claims. No doubt there are some peer reviewers who fit her stereotypes. But that’s neither representative nor reliable, failing to clear even what seems to me a low evidentiary standard.
Let’s take the most visually and substantively prominent evidence in Schuman’s essay: five tweets. (The sample tweets are larger and framed in boxes.) Schuman chose these examples as her best representative evidence. Of those five, two come from the same person, and another begins “not mine, but a friend.” So we have a limited sample — four respondents — and a thirdhand anecdote. One tweet, a respondent’s summary interpretation of the reviewers’ comments, reads, “Reviewer A: Not enough of my work here. Reviewer B: Not enough of my views here. Reviewer C: What *I* would have said is.” If we assume that the anecdote is real, a generous assumption I wouldn’t grant an undergraduate essay, can we further assume that the respondent’s interpretations are accurate without any context or evidence? We shouldn’t, but Schuman does.
Another response reads, “my fav review: called my writing ‘jejune’ because I included a beyonce reference.” That respondent is a science writer, so I can imagine contexts in which a Beyoncé reference might seem jejune. Granted, using jejune condescends. Does it exemplify cruelty, though? Given Schuman’s emphasis on the cruelty of reviewers I’d expect examples that are forcefully cruel rather than condescending.
Why can’t Twitter anecdotes demonstrate Schuman’s claim that peer review is so flawed (“broken,” as Slate’s banner has it) that it should be reformed? Considering the anxiety around academic publication, the problems with peer review may be disclosed only via quiet conversations and outlets like Twitter. First, however, consider two opposite sayings: “the plural of anecdote is data,” and “the plural of anecdote is not data.” Schuman clearly prefers the former, but I prefer the latter. So the respondents are a subset of Schuman’s Twitter followers (she has around 5,700 as of this writing), and I’d bet that the majority of responses would veer toward the negative — not necessarily because most experiences are negative in ways that reveal systemic fatal flaws, but because negative stories entertain readers more and are more likely to appear in an essay about peer review. To borrow and butcher Leo Tolstoy, happy peer-review stories are all alike; each unhappy peer-review story is unhappy in its own way.
Second, she fails to contextualize her evidence. Not only does she treat anecdote as data, she gives no sense of what those data represent. She seems not to have done basic research on the subject. My five-minute Google search found Bo‐Christer Björk and David Solomon’s “The Publishing Delay in Scholarly Peer-Reviewed Journals,” which examines the timing from submission to publication in a random sample of 2,700 papers in 135 journals across academic fields, from chemistry to arts and letters to economics. The delays, as you might imagine, vary from field to field. That reveals a problem Schuman only obliquely addresses: What is an acceptable peer-review response time? She suggests three months, which sounds great to me, but on what does she base that guess? Why would three months be optimal but not four or six? And, given the many obligations of peer reviewers and the number of submissions, is three months universally realistic?
Other crucial missing context: Do academics agree that response times are too long, as she claims? Lutz Bornmann and Hans-Dieter Daniel’s case study of the response times for a single journal cites a 2008 survey of academics in which 38 percent of respondents “were dissatisfied with peer-review times.” That percentage certainly doesn’t suggest universal frustration with the process. Even more importantly, is that dissatisfaction of 38 percent of respondents a reliable measure for how long peer review should take? I’d argue maybe not — I sometimes experience a five-minute wait in a grocery line as interminable and other times as short, depending on a number of factors: my mood, the crowd, how my other trips to the store have gone. And tenure-clock anxiety likely heightens the sense of a wait as interminable.
For what it’s worth, I also loathe the submission process, but not for the reasons she lists. I find submitting writing fundamentally frustrating because of elements inherent to that process. Finishing a draft submission offers little reward, because in this case it means “reaching a relatively acceptable but uncertain stopping point that seems to be the fullest, most complete effort I can give”; sending the work out into the world feels small because I have little or no concrete sense of what I’m competing against. Then, as soon as I’ve submitted, I realize an error or errors, major or minor, that I can’t correct for that submission. The frustration of waiting congests me intensely and irrationally early in the process. No alteration to peer review could ease these anxieties and the ways they distort my view of the process.
In addition to her limited anecdotes and unquestioned assumptions, she asserts vague commonalities without evidence. The following phrases from her essay reinforce Schuman’s sense of her mathematical certainty while undermining it: “rather than being constructively critical, far too many peer reviews are just cruel for no reason”; “most [peer-review] situations are far from ideal”; “thus, articles regularly, I’m talking almost always, languish untouched on the referee’s desk for six, 12, even 18 months” (in that quote, the italics are Schuman’s; and which is almost always — six, 12, or 18 months?); “Many more [submissions] are rejected with extensive commentary, and more still receive a special place in academic purgatory: a directive to “revise and resubmit”; “Some such suggestions are even helpful — but all too often, they’re hidden amidst the venting of petty vendettas and pettier agendas.” Far too many, most, regularly, almost always, many more, more still, too often and all too often, a lot of Schuman’s emphasis on frequency is empty hyperbole, a tactic Schuman slathers over her writing.
These anti-academic argumentative strategies demonstrate the central argumentative sin of “Revise and Resubmit” and much of Schuman’s other writing: generality. The claims of commonality without reference or specific numbers, the reliance on straw-man stereotypes, and, potentially most troubling of all, her use of “peer review” itself: these are all frustratingly general. For “peer review” isn’t a single thing. The process and timing vary from one discipline to another as well as within disciplines, depending on the focus of the journal. Anonymous review isn’t universal; double-blind reviews are more common in the humanities than in the hard sciences. But Schuman neglects these and other basic details. Worse still, she makes those claims with the air of authority and the position of authority for Slate’s readership, of whom likely only a small portion have a working knowledge of the peer-review process. Remember, Schuman tells us, “I’m a higher-ed expert.”
Schuman seems to have envisioned her essay as a shot across the bow of the peer-review system. On her personal website, Schuman wrote that her essay “was excoriated — my biggest WTF moment of my career, since in private every academic in the world loathes peer review.” She assumes her opinion is universally shared, and she doesn’t ask why readers resisted. I’d guess they did so in part because of her method, and also in part, ironically, because of her tone: protesting the behavior of academics, she treats them as childish, cruel meanies, driven solely by “petty self-interest.”
For the broader academic world, the problems in her writing matter because of how they resemble in their method the attacks on academe from outside. To take one example, on a recent edition of Fox News Sunday, George Will asserted that those who claimed that a 97 percent consensus among climate scientists that global warming is real, a consensus drawn from thousands of peer-reviewed articles and interviews with the authors of those articles, had invented the statistic: “They pluck these things from the ether,” he said. Given Will’s larger audience and presentation of authority — in addition to his appearances on America’s televised Pravda, he writes for The Washington Post. His “pulled from the ether” lie (or, to be charitable, ignorance) has spread to conservative websites that deny climate change. Peer review may be flawed, but in a world where news outlets pose academics against uncredentialed bloggers in three-minute debates about global warming, we need to convey the purpose and value of peer review, even if we want to change it.
I don’t want Schuman to stop writing. She could represent a useful, important resistance to the limits of the academic world that must come from within the university because a reflexively defensive institution is more likely to stifle than encourage meaningful change. But her shoddy method on peer review isn’t anomalous. Recently, she inveighed on Slateagainst too-long course syllabuses. The subhead, oddly enough, declares that syllabuses reach 25 pages, but Schuman’s longest example is a 20-page syllabus. The 20-pager she cites (it’s mentioned, but not presented, in a Twitter response) seems like an outlier, yet she claims it’s common. Schuman later tells us, as usual without citation of any evidence, that “the average length of my academic friends’ syllabi is 15 pages.” That kind of assertion reminds me a first-year student I taught who rejected the idea that public schools were still segregated because his school was diverse: only 75 percent white, by his estimate.
As with “Revise and Resubmit,” I’d move on from her hyperbole, except for her turn to why syllabus length matters: “Syllabus bloat is more than an annoyance. It’s a textual artifact of the decline and fall of American higher education. Once the symbolic one-page tickets for epistemic trips filled with wonder and possibility, course syllabi are now but exhaustive legal contracts that seek to cover every possible eventuality, from fourth instances of plagiarism to tornadoes.” In addition to the unsourced generalization familiar from her writing on peer review — syllabi were once this, but now they are this instead — skewed nostalgia radiates from her writing: when she was a student, things were great, but now they’re awful. Syllabi were once “symbolic one-page tickets for epistemic trips filled with wonder and possibility”; given her language in that phrase, I imagine poor Charlie Bucket gifted a trip into the fantastical, mythical education chocolate factory crafted in his head by his grandfather’s stories. Of course, the golden age has faded, as they always seem to; course syllabi “are now but exhaustive legal contracts that seek to cover every possible eventuality.” The wonder has died; all syllabi are dull and dry, and all students abhor them all.
Elsewhere, in an essay supporting President Obama’s call for a universal rating standard for universities and colleges in the United States, Schuman writes, “But here’s why I still hope Obama’s plan will work. The very fact that the ratings’ most vocal detractors are college presidents — who often rake in millions while their students crumble under debt — should tell us Obama is onto something.”
Schuman doesn’t defend the specifics of Obama’s plan — she even lays out several of its major flaws — but she writes, “I say that a system that currently survives on nearly three-quarters contingent faculty labor has more than earned a sledgehammer — or at least a thorough audit from the body that’s providing a healthy percentage of its revenue.” The latter sentence might be convincing if it didn’t appear in the same essay that acknowledges “It dismays me to see that in a federal initiative to reform higher education, there is no mention whatsoever of the labor crisis that all but defines the 21st-century American university: The ever-growing dependence on barely-paid part-time adjuncts, which makes skyrocketing tuition particularly unconscionable.”
In other words, universities need accountability regarding their employment practices. Here’s a plan that doesn’t address that. Schuman supports that plan!
I appreciate Schuman’s efforts to avoid a jargon-cloaked academic tone for a snarkier critique of academia’s entrenched, encrusted bad habits as well as disturbing trends that, in my opinion, threaten higher education. But if she wants to change academe in meaningful, constructive ways, she has to engage it, just as she asks peer reviewers to do with the submissions they receive. Instead of wielding the funhouse mirror for Slate, she can reflect a more accurate image to show us our flaws. Of course, any organization as broad, complex, diverse, and hierarchical as academia could be represented with many actual images, some of which may not overlap.
The adjunct’s academe isn’t the tenured professor’s, nor is the dean’s, the undergraduate’s, the parent’s, or the custodian’s. George Will’s academia and Rebecca Schuman’s treat stereotype and the limited individual perspective as universal truth. But when one political party wants to toss higher education into the trash, and Schuman wants to wreck it with a sledgehammer, we have an obligation to know and understand academia before it’s turned to rubble.
Charles Green teaches writing as a lecturer at Cornell University, where he asks students to do bicep curls on the first day so they can lift his syllabus.
Student retention has been in the news a lot lately, but for a long time, no one at U of All People took it too seriously, since we’ve always had the same 20 percent rate of graduation within 20 years. To supplement our data, we also rely on anecdotal evidence, such as Professor Daissa Frogg’s looking around his biology lab in 2005 and exclaiming, “Where is everybody?” As it turned out, Professor Frogg had simply got the time wrong, and most of the students were at lunch.
But recently our rates have plummeted to below 10 percent, teasing at the edges of our institutional consciousness like a zen koan: What is the sound of a school with no students? Or, as the bursar, Shaumida Munnie, put it, “What’s a school that brings in zero tuition dollars?”
A hastily set-up committee, SSF (Stop Student Flight), came up with these findings: Students leave in droves during the summer, despite the current 24/7/12 system, under which no time slot or class space goes unfilled. But students also leave for reasons of bad grades (below a B+), drug and alcohol abuse (or insufficient quantities), and lack of financial support (in fact, we count on student dollars to support us). Also: apathy, irritation with overlong lectures, and the conviction that they could be spending their time more profitably flipping burgers at McDonald’s.
Accordingly, the SSF has met at least twice and come up with some measures that should make U of All People the only campus in the U.S., beyond maximum-security prison, able to boast a 100 percent retention rate, if you define terms like “100,” “percent,” “retention,” and “rate” rather loosely. Here are some of the proposals:
Prescription parties, offering Abilify to Zoloft. The first dose is free, after which the drugs are distributed on an ascending scale of payment, though the cost may be waived if the student maintains a G.P.A. higher than 3.0.
Resident advisers recruited from the ranks of bar mitzvah motivators, enriching dorm life with games, loud music, and cheap party favors. Motivators will also encourage lollapalooza study sessions and romantic all-nighters.
Financial incentives. Since we can’t put everyone on scholarship, we propose to reward students who complete a minimum of 500 credit hours. Since the minimum number of hours required for graduation is 126, it’s mainly the thought that counts.
A grade-adjustment system, for any grades that students aren’t happy with. Students must fill out a form in which they explain why an A from U of All People means the world to them.
Ten-foot-high fences surrounding the campus, topped with concertina wire, and a full check of all delivery trucks going in and out.
In addition to these five programs, set to go into effect this fall, here is a set of additional ideas that, in the words of SSF chair Jess Kidden, “haven’t quite gelled yet”:
Peer pressure, including a campaign to “Sign the ‘Don’t drop out!’ pledge.” Posters, prizes.
Mandatory, undeletable phone app that buzzes maddeningly whenever the phone is away from campus for more than a week.
Free lunch every Monday, the cost built into every student’s activity fees.
Perfect-attendance certificates, suitable for framing or posting on Instagram (with special certificate filter).
Nightly head-count in the dorms.
Distribution of “We ♡ Our Students” T-shirts to faculty.
Note: The SSF did include a student representative on the committee, but by the second time the committee met, she had already withdrawn from school.
David Galef directs the creative writing program at Montclair State University. His latest book is the short story collection My Date With Neanderthal Woman (Dzanc Books).
Grants for digital humanities projects serve as established tradition as the new chairman for the National Endowment for the Humanities welcomes grant recipients to the agency's new home in Washington.