The announcement last year that Brandeis University planned to sell its noted, 6,000-piece collection of modern art stunned and angered museum officials around the world. The university said it needed money for its other operations. But to the art world, the plan represented a rejection of the idea that nonprofit institutions do not sell art from their museums except as a means to expand their collections.
When a record-breaking flood in June 2008 damaged 2.5 million square feet of the University of Iowa, the campus and the community worked hard to recover as much as possible in time for that fall's semester. The university opened as scheduled that fall, but the flood left an estimated $743-million impact that completely transformed the face of its campus.
When you think of successful university careers, you might think of presidents, provosts and deans; when you think of the wisdom to be found on campus, you’re likely to think of professors sharing the fruits of their decades of research on chemistry, classics, or quantum mechanics. You almost certainly won’t think of the folks cleaning the bathrooms, washing the floors, and changing the trash bags. Might you be missing something?
What does it mean to be an art school today? How should art education regroup and evolve in response to changes in the art world, higher education, information technology, the art market and the broader economy -- and what should it mean to be an art school tomorrow?
Service learning and civic engagement may be particularly hot motifs in higher ed these days, but the idea that students can learn a great deal through humanitarian works in their community is hardly new. To Buzz Alexander, who is Arthur F. Thurnau Professor of English Language and Literature at the University of Michigan, such a notion might seem not only long-familiar, but even anemic, underdeveloped.
Landing a job in today’s economy is tough for most college graduates. For those seeking a career in the fine arts, it’s even tougher.
In response to the changing landscape of professional music, which often requires that musicians work multiple jobs to make a living, some music schools are embedding entrepreneurship in their traditional curriculums in hopes of making their students more business-savvy.
When he was growing up in Hawaii, Sean O'Harrow took art classes at the Honolulu Academy of Arts, and he would wander the galleries before or after his classes. One afternoon he might gaze at a Van Gogh. Another day, he would "visit China" by walking through galleries devoted to Chinese art.