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April 24, 2018
College presidents today are confronting challenges that they did not create and often can’t control, writes Susan Resneck Pierce.
April 23, 2018
As humanists, to make an impression inside our institutions and in the outside world, we need to do a much better job of counting the support our faculty members receive to pursue their work, argues George Justice.

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April 24, 2018
Seeking new models of professional development.  
April 24, 2018
As the May 1 deadline nears, consider some quick new initiatives to boost your yield efforts. 
April 24, 2018
Many campuses are dots of blue in a sea of red. Even as we in higher ed build towards a multicultural future, can we communicate to our heartland neighbors that they will thrive in that future too? 

Archive

December 20, 2010
The watchdog's updated report on for-profit colleges does not change its conclusions one bit, Senator Tom Harkin writes.
December 20, 2010
To distract herself from the onslaught of grading, Maria Shine Stewart contemplates commas, dashes and lesser-known marks.
December 17, 2010
The watchdog agency’s admission that report on for-profit colleges was flawed undermines its reputation and the government's aggressive pursuit of the sector, write Frederick M. Hess and Andrew P. Kelly.
December 16, 2010
We all want more young people to attend college. Who would argue with that? Politicians and educators at all levels extol the obvious virtues, from enhanced earning potential to a greater satisfaction in life. One increasingly popular way to encourage college attendance is through dual enrollment, in which students take courses in high school for both high school and college credit.
December 15, 2010
Late last month, following a protest by House G.O.P. leader John Boehner and the Catholic League president William Donohue over its imagery of ants swarming over a crucifix, the National Portrait Gallery removed a video called “A Fire in My Belly” by the late David Wojnarowicz from an exhibition. (See this report in IHE.) Over the past week, the Museum of Contemporary Art in Los Angeles painted over a mural it had commissioned from an artist named Blu; the mural showed rows of coffins draped in dollar bills.

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