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A group of three students can be seen through a doorway talking with a professor at a conference table in a book-lined, light-filled room.

Office Hours: An Old Tool for New Challenges

Rethinking office hours and how we talk about them can unlock new opportunities for improving student learning, Jeremy Hsu writes.

A wall with word “campus” written on it can be seen with an academic building and open space in the distance.

College Transfers Are Rising, But Many Rural Students Are Still Left Behind

Policymakers and higher ed leaders should recognize rurality as a key lens through which to evaluate transfer outcomes, Gerardo de los Santos writes.

An illustration of a Soviet-style badge, with a hammer and sickle at the center.

The Higher Ed Nomenklatura?

A narrow track and a small leadership circuit shapes, or rather misshapes, U.S. higher education, Hollis Robbins writes.

An archway on the University of Florida campus bears the university's name.

Why I Chose the University of Florida

Santa J. Ono explains why he’s pursuing the University of Florida presidency.

A group of four college students engages in a group discussion.

Why First-Year Comp Classes Give Me Hope

Imagine the kinds of critical thinkers we could graduate if we put expository writing courses at the center of the curriculum, Deborah Lindsay Williams writes.

An illustration of a human hand squashing a red speech bubble in its fist.

Can ‘Fear Equity’ Revive Campus Free Speech?

Now both the left and right have incentives to fight censors, Lee Jussim and Robert Maranto write.

A whimsical illustration of a robot working at a typewriter, a hat with a feather on its head and a cigar in its mouth.

Q&A With an AI on Its Creative Process

David Galef interviews an emerging author.

An illustration of the letters "DEI" in dark gray, against a lighter grey background. Each of the letters has cracks in the bottom, as if the foundation is crumbling.

Confessions of a Reformed DEI Officer

We need to distinguish between good DEI and bad DEI, Michael A. Yassa writes.