Rob Zaretsky envisions the not-too-farfetched scenarios in which a university's lawyers comb through the classics.
From: Vice-Provost for Legal Affairs
To: Dean of College of Liberal Arts and Social Sciences
Subject: Trigger Warnings
In order to anticipate potential liability issues rising from the teaching of humanities and social science courses, we have reviewed the syllabuses across your college’s departments, with particular attention given to the impacting of racial and ethnic themes on our clientele’s (aka students’) emotional well-being. We have provisionally concluded that the English department can continue to teach The Adventures of Huckleberry Finn and The Merchant of Venice, while taking into careful consideration the sensibilities of African-American, Jewish and related niche audiences.
But in the course of our investigation, we found other reasons to anticipate future legal and public relations challenges for the university. With the support of the offices of student services and marketing and communications, which coordinated several focus groups, we found several books that could become the subject of class action suits. Please find below five examples from our full list that, if present campus trends continue, will raise red flags.
Homer's The Iliad and The Odyssey
Students were disturbed by Homer’s “relentless” depiction of mayhem and gore: “Like the X-Men franchise, but Wolverine is definitely a more likable mutant than Achilles,” concluded one respondent. Several students objected to the treatment of women -- mostly relegated to domestic activities or war booty -- and demanded to know if there were other epic poems by blind Archaic Greek bards that offered examples of female empowerment.
Also, a small but vocal number of students wearing PETA t-shirts protested the “inhumane” treatment of the dog Argo, left to die on a dung heap. Given the youthful impressionability of our customer base, we find potential problems with the Lotus-eater episode, as well as the character Helen’s liberal use of pharmacological agents.
Anonymous' "The Book of Job"
“Are you sure this is part of the Bible?” asked many respondents, who also exhibited intense unease with God’s actions, as they did with Job’s questions. The mounting suspense in waiting for God to reply adversely impacted many students (as did the irritation factor supplied by Job’s friends).
While the groups’ expectations were raised when a voice came from the whirlwind, they were deflated by the voice’s answers -- which, according to one respondent, weren’t answers at all. (“Like my parents, only worse.”) At the end of the session, a palpable sense of dread, along with isolated cases of fear and trembling, were in evidence -- all matters of concern for our office.
Though we were informed this work combines the two “Homeric” poems in one, the focus groups concluded it was somehow longer. Respondents were disturbed by the negative depiction of the character Dido -- “If she, like, died ‘before her time,’ how fair is that?” -- while the character Juno also elicited negative comments: “Clearly the product of a harsh patriarchal society determined to depict independent women as hysterical and dangerous.”
More generally, respondents were disoriented by Virgil’s habit, in the words of one participant, “to undermine the Roman values he pretends to uphold.” We find sufficient grounds for concern that students might argue they cannot be expected to give clear answers on their final exam if Virgil could not give any in his final poem. Our staff also suggests that more litigious individuals will claim that if Virgil could leave his poem unfinished, they could do the same with their exam.
Machiavelli's The Prince
Several students spoke of their emotional distress after reading the author’s claim that if a ruler obeys “something resembling good it will lead to his ruin, while something resembling vice will lead to power.” Other students, however, announced their decision to run for president of their fraternity and sorority chapters.
Significant liability potential resides in the author’s use of Cesare Borgia as a role model: his praise of Borgia’s public “dicing and slicing” (in one participant’s phrase) of a subordinate does not reflect the “brand” values of our university.
Our office for students with special needs signaled its concern over the presence of two characters with disabilities -- they lost “their shanks in the Ardennes” -- who are confined to garbage pails. The office also worries that two other characters -- one who cannot sit down, the other who cannot stand up -- appear indifferent to this situation.
We cannot decide which is more problematic for the university: those respondents left despondent by the play’s existential desolation, epistemological doubts and ethical despair, and those respondents who kept giggling. In general, it remains to be seen whether, when it comes to the trigger warning controversy, we can’t go on or must go on.
Rob Zaretsky is a professor of French history at the University of Houston's Honors College and author, most recently, of A Life Worth Living: Albert Camus and the Quest for Meaning.
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